A Quote by Frances Farmer

I went to Sunday School and liked the stories about Christ and the Christmas star. They were beautiful. They made you warm and happy to think about. But I didn't believe them.
I love the idea of the teachings of Jesus Christ and the beautiful stories about it, which I loved in Sunday school and I collected all the little stickers and put them in my book. But the reality is that organised religion doesn't seem to work. It turns people into hateful lemmings and it's not really compassionate.
I liked myths. They weren't adult stories and they weren't children stories. They were better than that. They just were. Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?
I told the kids the house is going to be our Christmas. We didn't want them to think Christmas is just about gifts you're going to receive, but it's about Christ coming to Earth.
I went to church every Sunday...I understood Christmas and what Easter was about. I understood the persecution of Christ, the crucifixion of Christ, the Resurrection of Christ. I understood all that but I have to say that beyond that...for me, my knowledge after that was quite vague.
You always have to speak good about the projects you do and you have to see the beauty in them. Sometimes you see them and you're happy with things, or maybe the process was nice and you enjoyed it, and you were happy with that. But when everything gathers - you liked the scripts from the very beginning, the directors, your friends - but then you see the result and you like it - it's beautiful.
When I was about twenty-one, I published a few poems. Maybe I wrote a couple of stories before, but I really began to write stories in my mid-thirties. My kids were still little, and they were in school and day care, and I had begun to think a lot about wanting to tell some stories and not being able to do it in poetry.
There's nothing small or inconsequential about our stories. There is, in fact, nothing bigger. And when we tell the truth about our lives - the broken parts, the secret parts, the beautiful parts - then the gospel comes to life, an actual story about redemption, instead of abstraction and theory and things you learn in Sunday School.
I think acting came later in life when I went to college. I started out there. I wasn't a big star in the school plays or anything. I guess I just really liked stories. I was an English-literature major, and that's all about stories and narratives. Film and theater are very powerful storytelling mediums. You sit in a dark room and enter another world. I love that as a member of the audience, and I sort of wanted to get on the other side.
Religion is a huge part of our consciousness. I grew up in the Bible Belt, so it's our mythology. Those are the stories we learn as little kids at Sunday school. I'm not afraid to use the metaphors, because I think the stories are beautiful.
I liked to think I had written 'scripts' when I was in high school, but looking back at them, they were about thirty pages of wannabe-Mamet dialogue with a staple through them.
Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights.
What about putting Christ back into Christmas? It is simply not necessary. Christ has never left Christmas.
I had these cheap alien toys and I made up stories for them. They were space pirates. They didn’t have names so I made up names. These were the first stories I wrote. Even as a little kid I was thinking about torture.
Men, your primary responsibility in your home, after your wife, is you to disciple your own children. And if you don't do it, you're in sin; you are in sin. And if you turn it over to a Sunday school teacher, you are in sin. And you are to be teaching these children more than just stories about animals that went into Noah's ark. You're to be teaching them about God, about radical depravity, about blood atonement, about propitiation, expiation, justification, sanctification; you are to teach your children!
There is nothing mysterious about the principles of the gospel. We have studied them in the scriptures, we have discussed them in Sunday School, and we have heard them from the pulpit many times. These divine principles and values are straightforward and clear; they are beautiful, profound, and powerful; and they can definitely help us to avoid future regrets.
Veronika had noticed that a lot of people she knew would talk about the horros in other people's lives as if they were genuinely concerned to help them, but the truth was that they took pleasure in the suffering of others, because that made them believe they were happy and that life had been generous with them
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