A Quote by Frances Mayes

I’ll always marvel at the liveliness of southern speech-so full of metaphor and hyperbole, quirks and vividness. — © Frances Mayes
I’ll always marvel at the liveliness of southern speech-so full of metaphor and hyperbole, quirks and vividness.
The only way to come to a full acceptance and understanding of yourself is to embrace your own culture, quirks and differences while learning about those around you and exploring, incorporating and embracing their cultures, differences, quirks, etcetera.
Sport is a seductive metaphor (life as a game in which we gain victory through hard work, discipline, and visualizing success). but the older metaphor of farming (life as hard labor that is subject to weather and quirks of blind fate and may return no reward whatsoever and don't be surprised) is still in our blood.
Young people are dazzled by the brilliancy of antithesis, and employ it. Matter-of-fact men, and those who like precision, naturally fall into comparisons and metaphor. Sprightly natures, full of fire, and whom a boundless imagination carries beyond all rules, and even what is reasonable, cannot rest satisfied even with hyperbole. As for the sublime, it is only great geniuses and those of the very highest order that are able to rise to its height.
It's always easy to get people to condemn threats to free speech when the speech being threatened is speech that they like. It's much more difficult to induce support for free speech rights when the speech being punished is speech they find repellent.
Hyperbole has been part of elections since the days of John Adams, and there's nobody better than Joe Biden to give us a little hyperbole, as we all know.
I feel most real when alone, even most alive when alone. Better to say that the liveliness of companionship and the liveliness of solitude differ, and the latter is never as exhausting as the former.
Grown ups are complicated creatures, full of quirks and secrets.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
Always Sir Arthur lost so much blood that it was a marvel he stood on his feet, but he was so full of knighthood that knightly he endured the pain.
We always have a little comedy. It's the Marvel secret sauce. I think it's what helps Marvel resonate with the audience, that, yes, we're in the joke, too.
I always thought that's the exact metaphor, the perfect metaphor for acting. To go blind, to ignore the danger, and to totally trust.
I like health-conscious cooking, but growing up in the South, I do love southern cooking; southern France, southern Italy, southern Spain. I love southern cooking.
Metaphor has traditionally been regarded as the matrix and pattern of the figures of speech.
Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation...Writing with real voice has the power to make you pay attention and understand --the words go deep.
In terms of poetry, I worry about being far from the voice of my childhood, the rhythms of Ulster speech, and the liveliness of its dialect. I know there is a vitality to New York talk, but living among people of different cultures does mean you're forced to homogenize and lose the interesting words and phrases in order to be understood.
I've been vacationing in western North Carolina and northern Georgia since I was a kid. I arrive, marvel at the mountains, and put on an unconvincing Southern drawl.
This site uses cookies to ensure you get the best experience. More info...
Got it!