A Quote by Frances Mayes
A Chinese poet many centuries ago noticed that to re-create something in words is like being alive twice.
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Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.
You're alive, Bianca. You still can't appreciate what it means, to be alive. It's better than being a vampire - better than anything else in the world. I remember a little of waht being alive was like, and if I could touch that again, even for a day, it would be worth anything in the world. Even dying again, forever. All the centuries I've known and all the marvels I've seen don't compare to being alive." ~from Evernight, by
Many years ago making movies was something. It was the major entertainment just to go to the cinema, once, twice a week. At the time, something like 400 million people went to the movies.
It's ridiculous and painful to use the Arabic of an Iraqi poet who lived centuries ago to describe what we in Iraq are suffering today.
Seeking the Cave is part travelogue, part literary history, and part spiritual journey. James Lenfestey is a lively and entertaining tour guide. Modest, funny, curious, and wide open to the world, he gives us perceptive glimpses of Chinese culture, ancient to contemporary, and into what it means to be a poet, both now and twelve centuries ago. The account of his quest to find Han Shan's cave is a delight from beginning to end.
Constellations shine with light that was emitted aeons ago, and I wait for something to come to me, words that a poet might use to illuminate life's mysteries. But there is nothing.
You know how someone - something - surprises you. You wake up a little bit. That's done through Chinese cuisine - for example, through dishes of artifice. That's a whole sub-tradition in Chinese cuisine. To create a dish that comes to the table looking like one thing but actually is something else.
Writing is.... being able to take something whole and fiercely alive that exists inside you in some unknowable combination of thought, feeling, physicality, and spirit, and to then store it like a genie in tense, tiny black symbols on a calm white page. If the wrong reader comes across the words, they will remain just words. But for the right readers, your vision blooms off the page and is absorbed into their minds like smoke, where it will re-form, whole and alive, fully adapted to its new environment.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
Poetry, as odd as it is, and as hard to figure out as it is, many times, it's almost something that we're used to. It's kind of like a dream language that we had centuries ago, so that when we speak poetically or write a poem about what's going on, a real difficult issue that's facing our communities, people listen.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
I have no desire to write historical anything or futuristic anything - I want to find a way to get at the essence of what it's like to be alive now. The reason why great novels from centuries ago are still great is because that's what they were doing; it's like a message from another culture.
For many centuries Chinese society has been free of class distinctions such as are found even in advanced democracies.
You noticed that I wore this outfit twice? Why, the only thing you wear twice is a sour expression.
The ensouled is distinguished from the unsouled by its being alive. Now since being alive is spoken of in many ways, even if only one of these is present, we say that the thing is alive, if, for instance, there is intellect or perception or spatial movement and rest or indeed movement connected with nourishment and growth and decay. It is for this reason that all the plants are also held to be alive . . .
Two centuries ago, when our nation lost its sovereignty and was partitioned among Russia, Prussia and Austria, Polish Romantics like the poet and nationalist Adam Mickiewicz declared that independence would come only with great sacrifice. Ever since, this myth of the martyr, or messianic victim, has emerged during times of national crisis.
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