A Quote by Frances Mayes
The longer you are in a place, the more you get under its layers.
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As you get older, you have more and more layers of experience to forgive, more layers of heartbreak, more layers of what you might think of as failure.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
I think what's happening with the veterans is a gift from God to show us what happens when you take layers and layers of bureaucracy and place them between the patients and the health care provider. And if we can't get it right, with the relatively small number of veterans, how in the world are you going to do it with the entire population?
The older the layers, the more each of them is uniform over a great extent; the newer the layers, the more they are limited and subject to variation within small distances.
[Whenever] you get near the human race, there's layers and layers of nonsense.
I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there, for me.
'Vikings' has been so many different challenges, and some of that is, at times, you have to be big and imposing and violent and vicious, and then you have be pulled back and withdrawn and just more layers and more time to portray those layers, too.
You have so many layers, that you can peel away a few, and everyone's so shocked or impressed that you're baring your soul, while to you it's nothing, because you know you've twenty more layers to go.
We all get out, maybe for longer than we wish, because we all pass this mortal coil more or less and so we certainly get a chance to experience it again, and we've experienced it before we were born. So it's more or less our natural place of being, unless you believe that the only time you're conscious is when you're alive.
So just look into your acts, into your thoughts, into your feelings: you will find the armor everywhere. Wherever you see fear, you have created it. It was needed at one time - now it is no longer needed. A simple understanding that it is no longer needed... now it is a barrier, a hindrance, a burden. If you find something truthful, it will have its own validity. But in the armor you will not find anything that has any connection with truth. The whole armor is made of fear - layers and layers of fear.
Hollywood is in the perception business where you create layers to create mystery. In Silicon Valley it's about taking away the layers to get to the substance.
I have to strip away all the layers when I'm writing the song. I have to cut through all these layers of years of putting up walls and putting protective layers around myself.
The imagination of a eunuch dwells more and longer upon the material of love than that of man or woman ... supplying, so far as he can, by speculation, the place of pleasures he can no longer enjoy.
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
Companies, as they grow to become multi-billion-dollar entities, somehow lose their vision. They insert lots of layers of middle management between the people running the company and the people doing the work. They no longer have an inherent feel or a passion about the products. The creative people, who are the ones who care passionately, have to persuade five layers of management to do what they know is the right thing to do.
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