A Quote by Frances McDormand

I think that cosmetic enhancements in my profession are just an occupational hazard. But I think, more culturally, I'm interested in starting the conversation about aging gracefully and how, instead of making it a cultural problem, we make it individuals' problems.
You have to age gracefully. And that's what I love about Keith Richards. That's what I love about the Rolling Stones. They are aging gracefully. They are falling apart at the seams right before our eyes, and they are doing it gracefully. And that's the most beautiful thing that we can do.
A writer's occupational hazard: I think of eavesdropping as minding my business.
The real problems are cultural. The problems of the people who take drugs as a cultural trap - I think there's a real problem there, the crack stuff, the hopelessness of the junkie. The urban angst.
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
When you are thinking about whether you have an obligation to try to save people's lives, you don't usually think, well, how close by are they? Understanding what we are reacting to can change the way we think about the problem. If, biologically, morality evolved to help us get along with individuals in our community, it makes sense that we have heartstrings that can be tugged - and that they are not going to be tugged very hard from far away. But does that make sense? From a more reflective moral perspective, that may just be a cognitive glitch.
When you are starting out in your 20s, it is natural to think about all that you will have and do once you start making money, and making more money. That gives money way too much power over your life. It's not about how much you make, but the life that you make with the money you have.
The big question isn't whether you have problems; the all-important factor is your attitude toward problems. How you think of the problem is more important than the problem itself.
Some people I've talked to have had really an interpretation of this record as being nostalgic. But in some ways, when we were writing Stay Positive, I was really obsessed with age. I kept saying it was a record about trying to age gracefully. This record, I think actually was us aging gracefully.
I think the thing about capitalism is it's an evil necessity, capitalism. Communism has been tried and failed, and socialism, that doesn't work very well. Capitalism works, but the problem about capitalism is it does mean that a few individuals become very wealthy. Therefore, I think those individuals have enormous responsibility to redistribute that wealth either by creating new businesses or creating new jobs and making sure that money just doesn't lie in a bank account for future generations.
I'm getting less and less interested in the problems of youth. I'm much more interested in the idea of emotional paralysis, and I find myself less interested in work that doesn't have anything to do with a conversation about the world.
The occupational hazard of making a spectacle of yourself, over the long haul, is that at some point you buy a ticket too.
My occupational hazard is my occupation's just not around.
In interviews, the first question I get in America is always: 'What do you do to stay young?' I do nothing. I don't think aging is a problem ... I'm so surprised that the emphasis on aging here is on physical decay, when aging brings such incredible freedom. Now what I want most is laughs. I don't want to hurt anybody by laughing -- there is no meanness to it. I just want to laugh.
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about that by thinking about something from the past. How has society changed, how has policing changed, have we changed philosophically, psychologically, culturally, spiritually?
I think the Republicans starting more and more to ignore President Trump. I think they have realized - it's taken a while, but I think a lot of them have realized there isn't going to be a change, he is who he is, there's not going to be some pivot or some growing in office, and they have to deal with that. I don't think they have come together to figure out how exactly they move forward, but I think they are at least beginning to get a grip on the problem.
A tendency to make metaphorical connections is an occupational hazard for those of us who write.
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