A Quote by Frances McDormand
KWMR is my radio station, and I intend to have a job there as I get older. That's what I'm lobbying for. They don't need me. They've got plenty of people. But let's see if I can make myself indispensable.
Related Quotes
For me, there's still plenty of ground to be covered, as I get older. It's worked out great so far. I take it one job at a time. I'll just keep my eyes toward the next job and see where it takes me.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
At 13, I volunteered at the radio station. My first job was cleaning up when I was 17, and before I really started, they fired people for stealing station equipment, and I was on the air.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
All I'm saying is we got plenty of Texans, and people from Montana, and New Jersey, and Wyoming, or Kansas City. We got plenty of actors. So we don't need some cat from Cardiff-upon-Rosemary-upon-Thyme, or whatever the hell it is, playing people from Montana. And in the reverse, they got plenty of people from Cardiff-upon-Rosemary-upon-Thyme that they don't need our asses coming over there trying to do British accents.
I got a very good life. I sold plenty of records, I get recognized plenty, I can always have somebody call up and get me a fine table at a restaurant. What do you really need, ultimately?
Japanese train signs, station signs, are really representative of the Japanese mind to me, because it always has the station where you are, the station you were previously at, and the station that is the next station. When I came to New York, I was very confused. It just doesn't say where I was and where I was going. But I realized after a while probably most people don't need to know what station you were previously at. But I think it's just some weird Japanese mentality that we need to know, we need to connect the plot.
I used to say to myself when I was seven years old that I couldn't wait to get older so I could make money and buy my own clothes. I had a lot of sisters, so as we got older the hand-me-downs got better, but it wasn't until I was about 15 that I was able to buy my own stuff.
I spend plenty of time in London and it doesn't scare me, but it's a lonely place, even if you've got friends there. My job takes me all around the world, meeting lots of interesting people. But I think if I couldn't get home, if I couldn't get back to what I consider my real life I'd be frightened.
When I got older, it got harder because when kids get older, they get meaner, so I went through a lot of bullying and people calling me, like, 'zebra' or 'cow,' so it was really hard growing up.
First job I had, I was 17 years old. I was primarily the mail room boy at the radio station. An FM station. And in those days, nobody listened to FM.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.
As a stunt woman, I took it upon myself to be a bit of a jock about it. So you wouldn't see me vulnerable, you wouldn't see me hurting or sad because I was there as a professional to do my job. Nobody likes to see a girl get hurt - that's the truth of it - so I had to put them at ease so they would let me do my job.
I was always drawn to the blues. Alberta Hunter at the Cookery was a life-changing experience. I only wanted to get enriched as a performer as I got older, to have an audience which got older, too, and would come to see me when I'm 80.
I used to need the character but as I've gotten older I need it less and less - I prefer to play some version of myself. To approach any acting job as me just being me.
Related Authors
Angelina Jolie Quotes
American
Actress
Carrie Fisher Quotes
American
Actress
Cate Blanchett Quotes
Australian
Actress
Drew Barrymore Quotes
American
Actress
Emma Watson Quotes
British
Actress
Jane Fonda Quotes
American
Actress
Jennifer Aniston Quotes
American
Actress
Kate Winslet Quotes
English
Actress
Kristen Stewart Quotes
American
Actress
Lena Dunham Quotes
American
Actress
Marilyn Monroe Quotes
American
Actress
Meryl Streep Quotes
American
Actress
Mindy Kaling Quotes
American
Actress
Sandra Bullock Quotes
American
Actress
Selena Gomez Quotes
American
Actress
Viola Davis Quotes
American
Actress