A Quote by Frances Moore Lappé
My children threw me a life line: "Return to your roots - food - and rewrite your first book, Diet for a Small Planet." I learned that if I could just show up, in this case, if I could just get myself out of bed, get to the computer in my tiny office at MIT, and start writing, help would start arriving.
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The first book is the book you have to write to get back at your parents; the book you always had in you. Once you get that out of your way, you can start writing books.
I never think of an entire book at once. I always just start with a very small idea. In 'Holes,' I just began with the setting; a juvenile correctional facility located in the Texas desert. Then I slowly make up the story, and rewrite it several times, and each time I rewrite it, I get new ideas, and change the old ideas around.
I said that I thought the secret of life was obvious: be here now, love as if your whole life depended on it, find your life's work, and try to get hold of a giant panda. If you had a giant panda in your back yard, anything could go wrong — someone could die, or stop loving you, or you could get sick — and if you could look outside and see this adorable, ridiculous, boffo panda, you'd start to laugh; you'd be so filled with thankfulness and amusement that everything would be O.K. again.
When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
Start locally and build. Start small and grow. Start in your house, then move to your school, your book club, your gym, your church, your temple, your city.
Once I was in college, I was actually trying to write a comedy screenplay and I wrote basically the worst movie ever and just threw it away and never showed anybody. Everyone needs to get that first bad screenplay out of your system before you start writing other stuff.
Me and my mom made a deal that if something would happen to help me get my start in music, I could get out of college.
Just think of what a world it would be if we could measure the characteristics of your body when you get sick and transmit those directly to a doctor or a computer. You could get diagnosed and cured instantly and wirelessly.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
I am an insomniac. I wake up at 6 or 6:30 and get out of bed immediately. The coffee starts right away. Then I get to the computer as quickly as possible. I like to start writing when I'm still half-asleep, in a state between dreaming and waking.
Aim to write for an hour per day. I used to be a teacher, and an hour a day before school was all it took for me to write my first book. Don't get discouraged if a holiday or illness interrupts your writing habit. Just start it up again.
I think the number one advice I can give is - you just have to start it. Just get your feet in the water and do it. I learned a lot from just trying it out.
I look at some of the kids that I interact with, and they were born with so many disadvantages. And you could start off in your first interaction with them saying, "Unless they get a lot of compensatory help, they're not going to be able to compete; they're just so far behind, and they're wounded and they're hurt."
Start from the body, and then go, slowly slowly, deeper. And don't start with anything else unless you have first solved the primary. If your body is tense, don't start with the mind. Wait. Work on the body. And just small things are of immense help.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
For me, it was just a case of seeing what stage I could actually get to. For every kid it's the same, you don't know how far you can go until you get a bit older and things start to become a reality.
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