I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
I turned down a lot of films before I made my first one. I knew that it was time for me to get into movies.
I feel like I turned down a lot of things that I wish I hadn't. But you never know when you're younger. I don't have regrets about certain things I turned down. Those films would have required things of me that would have been challenging, and they ended up being really good movies. But I was never a careerist, I never thought in those terms. I'd be like, "Oh, I'm tired. I don't want to work."
I turned down twelve films last year... Huge money films, but I had no respect for the writer or the work.
The United States and Turkey are the only two countries that don't have some kind of subsidy for the Arts. The whole culture in society has made certain films more acceptable. I turned down so many films in the '60s and '70s.
I've made a dozen films in the English language. But then, for love, for my family and friends, I returned to Europe... I annoyingly - looking back - turned down films like 007, 'For Your Eyes Only,' written specially for me.
I turned down the opportunity to be in some films that went on to be blockbusters.
I collect all the reviews of the films I turned down. And when they're bad - I have to smile.
I'm sure there have been missed opportunities, with films I've turned down that went on to be successful, but everyone in the industry has had that happen.
I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.
As I became very defined in my personal politics, I turned down some films that I slightly regret now; I'm not going to say what they were.
We've turned down multi million dollar films, simply because we liked the film better. We have the luxury to do so - we have projects that make the money, and others that we do for love.
It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.
Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia.
I have turned down a lot of garbage lately.
A lot of the films I do go down brilliantly critically and win awards, but not a lot of people see them.