A Quote by Francesca Annis
In the theatre, once you've gone about eight rows back, everybody else is just listening to you. You're very small, and nobody can really see what you're doing.
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In a nutshell though, it's just all about opening up to the people that really care about my career and really listening to everybody who is listening to me. It's just made me stronger, to really be able to open up that door and listen to everybody else's opinions.
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
Every one of us have things that we believe about ourselves when nobody else is looking, nobody else is listening, nobody else is monitoring what we're doing. We believe things about ourself.
I just don't really listen to music. I'm probably missing out, but I don't want to know what everybody else is doing. Nobody is strong enough to not be influenced. And I don't mean influenced by copying - I'd be influenced because I wouldn't want to do what someone else is doing. I want to be able to do whatever I feel like doing and not worry about anything.
Every one of us have things that we believe about ourselves when nobody else is looking, nobody else is listening, nobody else is monitoring what we're doing. We believe things about ourselves.
I don't really like listening to so much rap because I like to have my mind focused on what I'm doing instead of worrying about what everybody else is doing.
That's what I love about death on 'Game of Thrones.' Nobody has dying speeches. Nobody has anything like that. Once you're gone, you're gone.
Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.
Once you really get into a song, other than just listening to it, it forces you to go 'oh, they did this. I never would have thought of doing that,' when you deconstruct it. It's something you really can't do sometimes when you're just listening to a song. You have to really get into it.
In my opinion, there's nothing new in the theatre, ever. Theatre-makers are thieves, in the honourable tradition of charlatans. They fake it very, very well indeed for the entertainment of everybody else.
I think I've always wanted to be different from everybody else. I get really annoyed when I do something and everybody else does it too, or if I'm doing something that everybody else is doing.
When I'm done skating, I guarantee you that I will not look back and remember standing on the podium. I'm going to remember these days - being with the team. Training alone, in my basement. Training when everybody else is sleeping. Doing things that nobody else is doing. Digging down. Seeing what kind of character I truly have. I love that stuff.
I'd dropped out of high school without really doing it on purpose - I'd just go home at lunch 'cos I didn't have friends, then stay there all afternoon listening to rap. It got to the point where I wouldn't have passed even if I'd gone back. I was depressed, basically.
When I first got to L.A., I was stretching $20 a week, waiting tables, and I did that for about six months. I didn't mind it at all, I was really happy for that experience, but it made me really get aggressive about what I want. I've been doing this since I was eight, and never considered doing anything else, so I really had to kick it into gear.
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.
I'm at peace with myself and where I am. In the past, I was always looking to see how everybody else was doing. I wasn't competitive, I was comparative. I just wanted to be where everybody else was. Now I've gotten to an age when I am not comparing anymore.
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