A Quote by Francesca Hayward
I've always just done ballet, and I feel like I'm sort of living the dream.
Related Quotes
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
I think American Ballet Theatre is setting that standard now for classical ballet, that you can dream big, and it doesn't matter what you look like, where you come from, what your background is.
There is no need of a way out! Don't you see that a way out is also part of the dream All you have to do is see the dream as dream. ...Wherever it leads you, it will be a dream. The very idea of going beyond the dream is illusory. Why go anywhere Just realize that you are dreaming a dream you call the world and stop looking for ways out. The dream is not your problem. Your problem is that you like one part of your dream and not another. Love all, or none of it, and stop complaining. When you have seen the dream as a dream, you have done all that needs be done.
Dancing for the length of time that I did, it centered me in such a way to be really in tune with my body, and I just feel like I'm physically able to do things because of my ballet background. Without ballet, I don't think I'd look graceful at all on screen.
So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.
I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.
If I could go into a time machine and be in my 20s again and do 'Flora the Red Menace,' I would. That was always the one. I mean, have they done that? I don't think so. No one's done that show. That was sort of a dream role of mine.
I didn't care too much for ballet, because you had to be more disciplined, and you sort of looked like everyone else. It required a certain kind of conformity that I didn't feel like I wanted to do.
I know how sad it is when you won't be able to realize your dream.
But do you know what's great about dreams?
You can always have a different dream. Just like the way
you dream every night in your sleep, you can just dream another dream.
You're not throwing your dream away, but having a different dream.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy but it's very difficult. For an athlete, you use muscles you really don't use and ballet is something I really respect.
I started ballet in my early 20s. I studied for about ten years. Ballet is probably the one of the hardest things I've done, almost like MMA. People don't give it a lot of credit and think it's easy, but it's very difficult. For an athlete, you use muscles you really don't use, and ballet is something I really respect.
I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
New York City is so big with all the lights and the people and it just makes me feel like I'm living in a dream when I'm there.
It's hard for me to just say, 'Wow, this is amazing - I'm famous. I'm living the dream.' I sit there and think, 'I'm scared - this can go away tomorrow.' My dad always says that I'm a tortured soul because I'm never pleased; I never feel like I deserve what I've achieved.
Related Authors
A. J. Pritchard Quotes
British
Dancer
Bez Quotes
English
Dancer
Cheryl Burke Quotes
American
Dancer
Craig Revel Horwood Quotes
Australian
Dancer
Darcey Bussell Quotes
English
Dancer
Martha Graham Quotes
American
Dancer
Mary Helen Bowers Quotes
American
Dancer
Mikhail Baryshnikov Quotes
American
Dancer
Misty Copeland Quotes
American
Dancer
Rakhi Sawant Quotes
Indian
Dancer
Savion Glover Quotes
American
Dancer
Shakti Mohan Quotes
Indian
Dancer
Shirley Ballas Quotes
English
Dancer
Sylvie Guillem Quotes
French
Dancer
Twyla Tharp Quotes
American
Dancer
Valentin Chmerkovskiy Quotes
Ukrainian
Dancer