A Quote by Francesca Hayward
I always enjoy ballet when you can read the situation very precisely, when I could tell you exactly which sentence that person is saying to that person even when they're not speaking and just moving their hand.
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Communication is a science as well as an art. What does speaking precisely mean? You are consciously communicating with another person at that person's frequency, not yours.
For many years, I didn't even like the idea of doing a one-person play. Public speaking got me past that. I've always been good at public speaking, but I never really enjoyed it. Then I started to really enjoy it, and that's made all the difference.
I can't tell you how many times we'll run into a journalist and go, "Boy that's...I wish we could be saying that. That's exactly the way we see it and that's exactly the way we'd like to be saying that." And I always think, "Well, why don't you?"
Just understanding that if you're not growing up, you're just moving backwards, and I'm a person that I always want to grow and learn and not be the smartest person in the room, because when you're not the smartest person in the room, you're always learning things.
When I was a kid, we used to play this thing called 'the writing game' with our father. My brother and I would play it - where first person writes a sentence, and the second person writes a sentence, and the third person writes a sentence, and so on until you get bored and have to go to bed.
I can’t tell you. I can’t tell you of all people. Throughout my life you were the one person I could turn to. The one person I could always count on to understand. And now that I’ve lost you, I’ve lost everything.
The Danger of a Single Story”, which has resonated with me immensely every time I read it. “Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story, and to start with, “secondly.
I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.
See, even if you're stuck in life, if you can describe just exactly the way you're stuck, then you will immediately recognise that you can't go on that way anymore. So, just saying precisely, writing precisely how you're stuck, or how you're alienated, opens up a door of freedom for you.
Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'
When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
Macro humor is just a person being themselves in a situation, saying whatever they're going to say, and it's funny because of the situation and who they are, or they say something, and it's just so them.
People, especially the liberals, just live in this world where if anything is said that offends anybody even a little bit, not only does that person have to apologize; sometimes they have to go away forever. Go away, bad person. My analysis of this is that most of us don't do anything decent in our life. I'm not saying we're evil. I'm just saying we don't make a contribution, so the way they [liberals] think they're making a contribution is to point at the bad people [which] is somehow even more pathetic.
If a person is stupid, we excuse him by saying that he cannot help it; but if we attempted to excuse in precisely the same way the person who is bad, we should be laughed at.
But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.
Having been an actor in Hollywood for a certain amount of time, I always felt a pressure to be sort of a neutral person. 'Don't do anything to your hair. Don't tell them your age. Don't tell them you're gay. Don't tell them anything that could limit you, specify you as a person.' I always hated that, actually moved out of L.A. because of that.
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