A Quote by Francesca Hayward
On stage I have to amplify some of my emotions with my back or make something a little bit more obvious because my audience might be very far away from me, or very high up and find it harder to read what I'm trying to express.
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I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
My style is very laid back. I like to be comfortable, but with some kind of piece that pumps it up a little bit - something more high fashion.
Our band tries and be as personable with fans as possible because up until the last two months it's been very bearable and easy to get to know fans on first name basis, especially the fans who come to multiple shows. Now its getting a little bit harder with new people and it's a little overwhelming so we're trying to strike the balance of being a very public band that establishes a relationship with the audience.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
We're affable guys in They Might Be Giants. We're not gonna do the periscope-down thing, but it's a little bit mind-bending. The biggest struggle is trying to figure out a way to back up far enough in your answer that it can be read without the context of the question. Every declarative statement you see that comes out of an interview with somebody is actually in response to a question. So it's sort of like this very real interpersonal dance where one of the people involved is invisible.
R&D generally has been a bipartisan thing, because in the IT space, in the medical space, the U.S., the benefits to ourselves and the world and our economy have been very, very clear. I'm hopeful we can make a very strong case there. Energy is actually harder; it takes more time to get a product, but if you do it's a very, very big market and the constraints of doing that in a clean way are more obvious all the time.
Just to see him come on the stage was an event. They had very high risers, and back a little bit, so he'd walk around behind the risers and right across the front of the stage to the podium, remember?
I think ultimately if you have a very high expectation of your audience and you know exactly what it is you're trying to express through the medium of film, there will always be an audience for you.
I'm not trying to reinvent the wheel with 'Venom.' I'm not trying to go too far to the left or too far to the right. Sometimes I step outside the box and it might lose people a little bit, so this time I'm going straight up the middle. I'm coming with some hard stuff.
If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.
I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising.
What was interesting to me was how they actually went to 9/11 and they chose that as part of his back story that we can unravel because it's something that people have shied away from for very obvious reasons. The opportunity to deal with some of that aftermath and the sensitivity, we can use that, and it will be a really neat thing.
For younger athletes - women, especially, if it's a male-dominated sport - I'd say be very careful to just be true to yourself. I spent a lot of time trying to emulate how a male wrestler was. They're tough, they're very confident, they don't show a lot of emotion, and they push through everything. That's not me at all. I'm a wrestler but I have emotions, I'm sensitive. When I stopped trying to be something that I wasn't, I felt like I was freeing myself up to find ways to make it work for myself.
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