A Quote by Francesca Hayward

When I found out that I was going be Juliet, it felt much more real than 'Manon,' because 'Manon' is one of those ballets that you probably do after Juliet, so that never really sunk in to be honest.
'Romeo and Juliet,' 'Manon,' 'Giselle' - they are not stupid stories. They have fantastic characters. They have a big package of emotion.
Manon' still feels like it didn't really happen, because it is such a mammoth ballet and I can't believe I did that.
I've read all of Shakespeare and practiced a lot of lines. ... I am going to do Juliet first. Don't laugh. What, with what makeup, costume and camera can do, my acting will create a Juliet who is 14, an innocent virgin.
I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.
When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role.
I love William Shakespeare. He wrote some of the rawest stories. I mean look at Romeo and Juliet. That's some serious ghetto expletive. You got this guy Romeo from the Bloods who falls for Juliet, a female from the Crips, and everybody in both gangs are against them. So they have to sneak out and they end up dead for nothing. Real tragic stuff.
I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet.
I've always found it funny when people call 'Romeo and Juliet' 'the greatest love story ever told' because - man - it does not work out well for those kids, you know? I'd like to think the greatest love story ever told would at least let them be together for more than a few hours.
For never was a story of more woe than this of Juliet and her Romeo.
I wanted to make a real love story with a bad ending, because a love story that ends good is the life of everyone - you and I, for example. I always say to people, You know, if Romeo and Juliet got married, nobody would care about them. Imagine Romeo and Juliet, six kids yelling, mama, mama, papa, papa.
I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet.
I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of Romeo and Juliet, and where I played all the parts except for Juliet.
Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
Juliet, when we made love, you used to cry. You said, "I love you like the stars above, I'll love you 'til I die". There's a place for us, you know the movie song. When you gonna realize it was just that the time was wrong, Juliet?
I loved 'Truly Madly Deeply' and all those 1990s romcoms because you had great actresses like Juliet Stevenson and Emma Thompson starting out.
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