A Quote by Francesca Hayward
I have so many clothes, but really, I have the same variations of the same thing, usually black jeans, black jumpers, black double-breasted coats.
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Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
I wear the same thing every day. I always pack two black jackets, loads of black T-shirts, loads of white jeans. I feel a little fresh and glamorous and graphic.
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
Everyone that knows me already know that I rarely stray from my black jeans, black T-shirt and a black jacket - tailored or leather. I like to have a uniform and one that's versatile. I'm a very hands-on Creative Director, and I need to feel comfortable and be able to move between both casual and more formal attire at the same time.
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
Just wearing all black comes from Johnny Cash. I'm on the road so much that if I wear all black my clothes never get dirty. You can't tell if I've worn the same shirt twice.
Just wearing all black comes from Johnny Cash. I'm on the road so much that if I wear all black, my clothes never get dirty. You can't tell if I've worn the same shirt twice.
Obviously, I'm not not black. But this is one thing I do know after years and years of working with a lot of black players and black commentators on many networks: That if you go to the place of you're telling a black man, or a black woman, that 'You should know your place and stay in it,' when you get to there, them's fighting words.
In the press, there's this desire for the black audience to be this monolithic thing that always responds to the same stars. That's a really reductive way of looking at the black audience.
I wear black because I'm a large lady, and I have many exact replicas of the same black outfit.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
I liked the fact that there were so many different representations of black women and black men in the movie. It wasn't like we all had the same agenda.
Hair in the black community is such a big thing culturally. The barbershop is a place for black men to socialise, catch up and bond. It's the same for black women in the salon. Going there is my favourite thing to do in the week. You catch up with people, someone comes around with food, someone else is selling something.
Black is modest and arrogant at the same time. Black is lazy and easy - but mysterious. [...] But above all black says this: 'I don't bother you - don't bother me'
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