A Quote by Francesca Lia Block

Our eyelashes brushed like they would weave together by themselves, turning us into one wild thing. I say, “I think I missed you before I met you even. — © Francesca Lia Block
Our eyelashes brushed like they would weave together by themselves, turning us into one wild thing. I say, “I think I missed you before I met you even.
The power, it seduced, whispering to me to weave it into my own cells." A glance over his shoulder. "Before you, I would've no doubt accepted it and it would've destroyed me from the inside out." "Before you," she whispered, "I was shut up inside my heart, protecting it from harm, and never knowing the glory I missed." She linked her hand in his. "You and I, we're a unit. I dare any evil on this earth to tear us apart.
At the time in our lives that we met, we had both made our mistakes. If chance would have had it that we would have met at an earlier stage, we might not have had the discoveries together that we did have and found those things in life together that were valuable to us at a later point in life when we were both more mature.
I'm really glad that our young people missed the Depression and missed the great big war. But I do regret that they missed the leaders that I knew, leaders who told us when things were tough and that we'd have to sacrifice, and that these difficulties might last awhile. They didn't tell us things were hard for us because we were different, or isolated, or special interests. They brought us together and they gave us a sense of national purpose.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean... obviously it would just be half the experience.
I still think have this deep desire for our Himalayan Trust - that we raise the necessary funds, that we do all the things that the Sherpas want us to do, and I would like to see us working together with them on these projects. Even though I'm old and decrepit I still have this strong feeling that I would like to carry these things out if it were still possible.
Perhaps the most important thing we can ever do in our lives is find a way to keep the wild-both the wild inside and the wild outside us-and tap into it.
She brushed her eyelashes against his chest.
Hindsight, I think, is a useless tool. We, each of us, are at a place in our lives because of innumerable circumstances, and we, each of us, have a responsibility (if we do not like where we are) to move along life's road, to find a better path if this one does not suit, or to walk happily along this one if it is indeed our life's way. Changing even the bad things that have gone before would fundamentally change who we are, and whether or not that would be a good thing, I believe, it is impossible to predict. So I take my past experiences... and try to regret nothing. -Drizzt Do'urden
Honestly, Tarek and I met through work, so we worked together before we even started dating - it's our normal.
When someone hears that I've written a book about 1897, I'm usually met with blank stares. And the first thing they say is, 'Was there even an L.A. back then?' A lot of people don't even think there was a city before the movies appeared. That concept of Los Angeles is so strong in the popular imagination that celebrity overrides everything.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
At first I was protecting you two because I promised. Now even if I hadn't promised, I would. You two are like kittens to me. I won't fail you again." I'll admit I got a lump in my throat. I'd never been called someone's kitten before. Sadie sniffled. She brushed something from under her eye. "You're not going to wash us, are you?
When we hate our enemies, we are giving them power over us: power over our sleep, our appetites, our blood pressure, our health and our happiness. Our enemies would dance with joy if only they knew how they were worrying us, lacerating us, and getting even with us! Our hate is not hurting them at al, but our hate is turning our days and nights into a hellish turmoil.
Everybody told us we would never make it. Even friends would say to me, 'Okay this band thing is cool, but seriously, what are you really going to do?' I can't think of anyone who believed in us, and that was fuel for the fire, because the more anybody said I wouldn't do it, the more I was like, 'No, I'm going to do it.'
Our actual lives, including our values, our social relations, our self-conceptions, and many of our concepts, are pervasively shaped both by the knowledge and by the fact that we will someday die - that we are subject to extreme temporal scarcity. There is no reason to think that, if we were immortal, the same things would continue to matter to us. We have little or no idea what, if anything, would matter to immortal beings, or even how such beings would think of themselves.
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