A Quote by Franchesca Ramsey

I'm somewhat wary of being called 'woke' because it feels absolute in a way that I don't think is realistic. — © Franchesca Ramsey
I'm somewhat wary of being called 'woke' because it feels absolute in a way that I don't think is realistic.
I try to be somewhat wary of fame, but I'm not wary of success.
Being realistic is the most commonly travelled road to mediocrity. What's the point of being realistic? It's unrealistic to walk into a room, flip a switch, and have light come on, but fortunately Edison didn't think so.
You can't relate to an absolute or it wouldn't be absolute, it would be relative. On an intellectual level, that's easy. However, you hear theologians in the theistic traditions talk about absolute God, and I saw God, or God spoke; speaking, being seen, these are all relational things. So what is absolute about such a being, wouldn't actually be absolute.
Being realistic is the most commonly traveled road to mediocrity. Why would you be realistic? What's the point of being realistic? I'm going to do it. It's done. It's already done. The second I decide it's done, it's already done.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
There've been a few mother-daughter movies that are somewhat realistic. But the mother-son movies are more comical than realistic: 'Throw Momma from the Train,' 'Stop! or My Mom Will Shoot.' You don't sit in the dark and go, 'Oh my God, that's my mother.'
I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized 'realistic' story in which a great deal of selectivity and omission has to occur in order to preserve its 'realist' style.
After leaving college, I was in a show called Sculpture by Women where I was asked to talk about my history of victimisation in art, and I genuinely didn't think I had been victimised. Although I obviously believe in a lot of the feminist aspirations, I was wary about being dragged down by the politics of it.
I didn't think that a career in theater was very realistic so I thought the only thing I could make money doing and still be somewhat artistic was, god help me, advertising.
I was giving up--being realistic, as people liked to say, meaning the same thing. Being realistic made me feel bitter.
I think there's a part of society that is very for women being confident and being empowered, but I think there's another part of society that feels very threatened by women being powerful. Because of the feminist movement, a lot of women are feeling way more empowered to be themselves and do what they want to do in life.
If we behave like the kitchen is for adults, they become more wary of it and reluctant to go in it because it feels like it's a grown-up space.
You are right to be wary. There is much bullshit. Be wary of me too, because I may be wrong. Make up your own mind after you evaluate all the evidence and the logic.
When I've done somewhat scripted stuff, it feels a little flat. It feels like there's not much life behind it.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
Holland is a fairly small country, and in a weird way, somewhat conservative. That might surprise people because it is a very tolerant place, but it's also a somewhat Calvinist country.
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