A Quote by Francia Raisa
My eyelashes are divas, so they will like a mascara brand one week or for a month, and then they'll just stop working for it. I go back and forth between Maybelline and Cover Girl, and then I carry around a primer, too.
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Dior makes the best lip glosses going. I'm nuts about them, especially the clear one with the silver sparkles. I got addicted to DiorShow Mascara, too. It makes you look like you're wearing false eyelashes. It's the only one that rivals Maybelline.
I use Maybelline New York Great Lash Mascara. Thanks to my mother, I have really long lashes, so I've never had to use too much product. I've used this mascara since I was 15, and it's the only one I use. A lot of people think I wear extensions, but nope, I just apply lots of mascara because it's the one thing that makes me feel pretty!
"It's just literally being afraid. And you think, oh, [the alcohol] will ease the fear. And it doesn't." What was he afraid of? "Everything. It's just a general all-round arggghhh. It's fearfulness and anxiety." He added, "For that first week you lie to yourself, and tell yourself you can stop, and then your body kicks back and says, no, stop later. And then it took about three years, and finally you do stop."
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
My eyes are so big that, weirdly, I feel like an alien if my eyelashes don't match their intensity. I like to curl my lashes to the point where they're sticking straight up and then put on a ton of mascara!
I never feel with the fashion stuff that it's too fake. If I was a model and had a working part in Fashion Week, then I might feel like that, but I'm just a visitor. I really only walk in and watch the shows and think, 'Maybe I could wear that in a video.' I meet the designer, say hello, and then I go.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
I always carry around a giant makeup case with about fifteen items in it. I so want to be the girl who just carries lipstick as if that's all I need, but I'm just not that girl. I need my lipstick, but then, just in case my cheeks start to lose their color, I need my blush. Then I'll need my oil pads...so I just take the whole thing. And now I need a full on fashionable backpack for it all!
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
Say you have a headline like "Mountain Bike Stolen," and then you read the story, read another story about it the next day, and then the next week, and then the next year. News is a process of expansion, the filling in of detail, and making narrative connections - not based on chronology, but based on features of the story. There are narrative connections made between props, between characters, between situations, and so forth.
I remember when I first started to be photographed, people couldn't understand how it was possible to go around with no eyelashes, no eyebrows. Now it's much more accepted for people not to wear eyelashes or lipstick or whatever they do, but then it was quite freaky. Um, a kind of boiled look.
Mostly, isolation allows me to go through a period where I really concentrate and get in a flow. Sometimes the whole process can be daunting, and when you're away from it, thinking about going back to it is especially daunting. If I go away for a week, I can be working on 10 songs at once, just jumping around to each one. I can get a month's worth of work done.
Before I got hurt, I was on the road five days a week and then I'd come home for a day and a half. And some of those times, I'd be filming Total Divas, so at some point I was working seven days a week, which I was cool. I loved it.
People think that you have to do something huge, like go to Africa and build a school, but you can make a small change in a day. If you change Wednesday, then you change Thursday. Pretty soon it's a week, then a month, then a year. It's bite-size, as opposed to feeling like you have to turn your life inside out to make changes.
I'm very into working out, but I'm one of those where I'm good for, like, a month, and then I fall off, and then I'm good for a month... like everyone!
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