A Quote by Francine du Plessix Gray

I didn't find this memoir of these two eccentric people so different from doing my memoirs of De Sade or Simone Weil. My parents in their own way are as odd as Sade. — © Francine du Plessix Gray
I didn't find this memoir of these two eccentric people so different from doing my memoirs of De Sade or Simone Weil. My parents in their own way are as odd as Sade.
One of the great weaknesses of the progressive, as distinct from the religious, mind, is that it has no awareness of truth as such; only of truth in terms of enlightened expediency. The contrast is well exemplified in two exact contemporaries - Simone Weil and Simone de Beauvoir; both highly intelligent and earnestly disposed. In all the fearful moral dilemmas of our time, Simone Weil never once went astray, whereas Simone de Beauvoir, with I am sure the best of intentions, has found herself aligned with apologists for some of the most monstrous barbarities and falsehoods of history.
In English, you can find writers with a wonderful sense of humor, like Oscar Wilde. But in the French language, this is very special, and de Sade is one of the very brave writers with a sense of humor. But most people don't understand that. When they read de Sade, they take it seriously. They say, "Oh, what an awful man!" He is really a very unknown writer.
Of all the things about de Sade, I would argue he is funny. A lot of people didn't understand de Sade. No. 1, he is a very good writer, and No. 2, he had the courage to talk about a lot of things that in public, even now, almost nobody has the courage to talk about. He would do it with a kind of funny way - not the stories themselves, but the way he tells them. He is never serious.
Basically, coming up, listening to Cash Money and Master P, and my mother would listen to Sade and Erykah Badu, things like that. I didn't like that music back then, but now, I guess, to look for soothing music or tones, you know, I would look to that, and I would love to do something with Sade or Erykah Badu.
"The man who alters his way of thinking to suit others is a fool." Our quote of the day is, from of all people, the Marquis de Sade, the most infamous writer in all of French literature. And by the way, if you recognized that quote, you're sick.
I am not the Marquis de Sade.
I listen to a lot of Sade.
And I liked this extreme character of de Sade.
De Sade is the one completely consistent and thoroughgoing revolutionary of history.
Capitalism, gaudy and greedy, has been inherent in western aesthetics from ancient Egypt on. It is the mysticism and glamour of things , which take on a personality of their own. As an economic system, it is in the Darwinian line of Sade, not Rousseau.
Once I was in my last year of law school, I started doing plays, as I said, without taking the bar. And I got hooked. I did a play called 'Marat/Sade', and I never had so much fun in my life.
The socialized state is to justice, order, and freedom what the Marquis de Sade is to love.
Sade's stuff is real deceptive. She's got stuff about prostitutes, poverty and people on the streets.
Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation.
Simply follow nature, Rousseau declares. Sade, laughing grimly, agrees.
The fact is there hasn't been a thrilling new erogenous zone discovered since de Sade.
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