A Quote by Francine du Plessix Gray
We write out of revenge against reality, to dream and enter the lives of others.
Related Quotes
It requires something more than personal experience to gain a philosophy or point of view from any specific event. It is the quality of our response to the event and our capacity to enter into the lives of others that help us to make their lives and experiences our own. In my own case my convictions have derived and developed from events in the lives of others as well as from my own experience. What I have seen meted out to others by authority and repression, economic and political, transcends anything I myself may have endured.
What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven't we all to struggle against life's daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these.
The whole idea of revenge and punishment is a childish day-dream. Properly speaking, there is no such thing as revenge. Revenge is an act which you want to commit when you are powerless and because you are powerless: as soon as the sense of impotence is removed, the desire evaporates also.
We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.
Apparently when we enter the Earth existence, the third dimensional reality, we exist with a façade as actors playing various roles. For some it is the adventure of the experience, the journey. For others it is entrapment in an illusion that takes on all the qualities of reality.
The misfortune of others is our misfortune. Our happiness is the happiness of others. To see ourselves in others and feel an inner oneness and sense of unity with them represents a fundamental revolution in the way we view and live our lives. Therefore, discriminating against another person is the same as discriminating against oneself. When we hurt another, we are hurting ourselves. And when we respect others, we respect and elevate our own lives as well.
The damnable frustration of revenge. Revenge is for dreams...never for reality.
Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.
DON'T TAKE ANYTHING PERSONALLY. NOTHINGS OTHERS DO IS BECAUSE OF YOU. WHAT OTHERS SAY AND DO IS A PROJECTION OF THEIR OWN REALITY, THEIR OWN DREAM. WHEN YOU ARE IMMUNE TO THE OPINIONS OF OTHERS, YOU WON'T BE THE VICTIM OF NEEDLESS SUFFERING.
Those who write ill, and they who ne'er durst write,
Turn critics out of mere revenge and spite.
Don't Take Anything Personally. Nothing others do is because of you. What others say and do is a projection of their own reality, their own dream. When you are immune to the opinions and actions of others, you won't be the victim of needless suffering.
Write against patterns. Go against the devils. Write what you never write. Lie. Validate what you don’t validate. Indulge what you don’t like. Wallow in it. Write the opposite of what you always write, think, speak. Do everything against the grain!
I didn't want to find out the reality that if I wanted my dream, I had to lose weight. That's a crushing dream for anybody . . . to change yourself to get your dream. Nobody should have to do that.
I didn't want to find out the reality that if I wanted my dream, I had to lose weight. That's a crushing dream for anybody... to change yourself to get your dream. Nobody should have to do that.
You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.
One night I had a dream and woke up and wrote down the dream. That was my first short story. The dream was a kind of fantasy of me getting revenge on my father.
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