A Quote by Francine du Plessix Gray
I think it's one of the reasons I wrote my book later in life. My parents didn't have these extreme alternations of conduct. They were very sweet to me.
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Which is a wonderful irony, I have property there. I go back every chance I get. One of the main reasons I actually wrote the book, agreed to write it having never wanted to do that in my life, very intimidating by the way to write a book.
I think my parents were really smart parents. I think they were, actually, pretty progressive for the time. The one thing that they really wanted me to know is what makes me tick, what I am about, how I approach life. And I think what my parents really wanted for me was for me to be who I am.
The novel at its nineteenth-century pinnacle was a Judaized novel: George Eliot and Dickens and Tolstoy were all touched by the Jewish covenant: they wrote of conduct and of the consequences of conduct: they were concerned with a society of will and commandment.
I suppose that one of the reasons I wrote "In Contempt" was because of the money. After the trial I came to realize that there were things that I needed to do if I was to protect myself and my family, so there were some selfish reasons for it.
I suppose that one of the reasons I wrote 'In Contempt' was because of the money. After the trial I came to realize that there were things that I needed to do if I was to protect myself and my family, so there were some selfish reasons for it.
I think the reasons for not selecting persons like the Reverend Borders and John Wesley Dobbs were, in my book rather obvious reasons: because they were people who were basically oriented in the direction of the established method of not confronting the power structure, but trying to elicit concessions by various and sundry means of, well, let's call it accommodating leadership.
I had a very nice life. I was a very good kid. I had nice friends. I played in the school yard. I was nice to my parents; they were nice to me. They were loving parents - they were always there.
'Dear Mr. Henshaw' came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced, and so I wrote 'Dear Mr. Henshaw,' and it won the Newbery, and I was - it's been very popular.
I don't think my father noticed that he had daughters. I think, you know, part of the damage of the childhood was, I simply don't think they were acknowledged as human beings at all. Or - you know, one of the reasons I became a cook later on in my life was, I was not allowed to cook an egg.
If I wrote a book, I had to be willing at least to talk about some of my struggles, whether in my personal life, health crises, or the deaths of my parents, because there can too easily be a perception of me that my life just went from A to Z uninterrupted, without any ups and downs, and that's not a fair representation.
I had a fan who had a fictional relationship with me. She wrote letters to me and then wrote return letters to herself (from me). In her mind, we were married and had two children. Her parents finally uncovered this delusional life she was living and she got help.
My parents were only one part of my lineage. I also met a number of mentors, one of whom I nicknamed "Socrates" after the ancient Greek, and wrote about in my first book, Way of the Peaceful Warrior. That book emerged in 1980, as a result of travels around the world and decades of preparation, eventually leading to 15 other books written over the years, culminating in my newest offering, The Four Purposes of Life.
In 2008, when I wrote Book 1 and Book 2, the head of the publishing house suggested twelve books - one each month. For practical reasons, that didn't work out.
[Confiscating a book and punishing its author] is a sign that one does not have a good case, or at least doesn't trust it enough to defend it with reasons and refute the objections. Some people even go so far as to consider prohibited or confiscated books to be the best ones of all, for the prohibition indicates that their authors wrote what they really thought rather than what they were supposed to think . . .
I think divorce is a tragedy, traumatic and horribly painful for everybody. That's why I wrote 'Smart Women.' I want kids to read that and to think what life might be like for their parents. And I want parents to think about what life is like for their kids.
I'm glad I wrote them when I did because I think if I were to write my first novel now, it would be a different book, and it may not be the book that everybody wants to read. But if I were given a red pen now, and I went back... I'd take that thing apart.
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