A Quote by Francine Rivers

You said go to her, and I let pride stand in my way. You said she needed me, and I didn't believe. You said love her, and I thought it would be easy. — © Francine Rivers
You said go to her, and I let pride stand in my way. You said she needed me, and I didn't believe. You said love her, and I thought it would be easy.
"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."
One of my mentors was Patricia Schroeder, and one night she came to me on the floor and she said to me, "Why are we sitting in Congress, when a lot of women would try to do it and couldn't? Why are we here and others aren't?" And I thought back and said it was because my father believed in me and she said the same thing, she said her father believed in her and thought she could do anything.
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
Jasmine apologized and said she was sorry and said she loved me, she couldn't believe it and said she thought it would be her. All of them were really, really sorry that it happened to me.
Her butler opened it for her. His name was Boredom. She said, 'Boredom, fetch me a plaything.' He said 'Very good ma'am,' and putting on his white gloves so that fingerprints would not show he tapped at my heart and I thought he said his name was Love.
And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly. "Really," he said. "You love me, too, Lottie?
You're not the way everyone says you are," Kaye said, looking at him so fiercely that he couldn't meet her gaze. "I know you're not." "You know nothing of me," he said. He wanted to punish her for the trust he saw on her face, to raze it from her now so that he would be spared the sight of her when that trust was betrayed. He wanted to tell her he found her impossibly alluring, at least half enchanted, body bruised and scratched, utterly unaware she would not live past dawn. He wondered what she would say in the face of that.
(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"
She danced because she needed to. She needed to say things which could be said in no other way, and she needed to take her meaning and her living from the saying of them.
Where were we?" she said. "Getting credit," I said. "What about it?" "Well, it's nice to get credit." The spokes of her rear wheel spun behind the curtain of her long skirt. She looked like a photograph from a hundred years ago. She turned her wide eyes on me. "Is it?" she said.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
Hillary Clinton said that her childhood dream was to be an Olympic athlete. But she was not athletic enough. She said she wanted to be an astronaut, but at the time they didn't take women. She said she wanted to go into medicine, but hospitals made her woozy. Should she be telling people this story? I mean she's basically saying she wants to be president because she can't do anything else.
Sophie said to me once that she was glad she had been scarred. She said that whoever loved her now would love her true self, and not her pretty face. This is your true self, Tessa. This power is who you are. Whoever loves you now--and you must also love yourself--will love the truth of you.
She would tell him what she wanted in her life--her hopes and dreams for the future--and he would listen intently and then promise to make it all come true. And the way he said it made her believe him, and she knew how much he meant to her.
Though she doesn't remember any trauma, she said that her parents told her she cried on a daily basis and her grandmother resorted to passing out candy so the kids would play with her. Though it was a humorous moment, Mila said, "I know, God bless her. She's an amazing, amazing woman."
I need to know you believe me when I say I love you. That is all." "I believe everything you say," Tessa said with a smile, her hands creeping doen from his waist to his weapons belt. Her fingers closed on the hilt of the dagger, and she yanked it from the belt, smiling as he looked down at her in surprise. "After all," she said, "you weren't lying about the tattoo of the dragon of Wales, were you?
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