A Quote by Francis Bacon

I always think of myself not so much as a painter but as a medium for accident and chance. — © Francis Bacon
I always think of myself not so much as a painter but as a medium for accident and chance.
I don't consider myself to be a painter. I think of myself as someone who has used the medium of painting in an attempt to extend - give an extra dimension to - the medium of words. It happens very often my writing with a pen is interrupted with my writing with a brush - but I think of both as writing.
I don't consider myself a painter. I think of myself more as an artist who uses paintings rather than simply makes them. Especially with my latest pieces, the work may be informed by conversations surrounding the medium, but it's not in any way fixed or limited to them.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.
Accidents and chance are words used by persons who do not think clearly when they attempt to account for certain happenings. Anyone who thinks must be convinced that in a world as orderly as this there is no room for the words accident and chance.
There are probably writers who are much more visual than I am and some who are less. I like to think of myself as a happy medium.
When I am searching for a character, I leave myself open, as does a medium. And I think that sometimes you can be inhabited by the spirit of someone who lived at some time or who was a bit like the person you are doing. And maybe they come in and use you as a chance to relive again.
I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
I've always thought of myself primarily as an artist; it's what I most define myself as. The acting was all an accident.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
Film is definitely a director's medium. They're responsible for the look and everything, and you're a part of that process as an actor, and you try to contribute to the story. But I think it might sound a little pretentious for me to say I think of myself as an artist. I think of myself as a creative person.
At the end of the day, some authors will endure and most, including some very good ones, will not. Why do I think reading is important? It is such an effective medium between mind and mind. We think largely in words. A medium made only of words doesn't impose the barrier of any other medium. It is naked and unprotected communication. That's how you get pregnant. May you always be so.
Train yourself: It is not by accident an artist becomes a good painter.
None of the modes by which a magistrate is appointed, popular election, the accident of the lot, or the accident of birth, affords, as far as we can perceive, much security for his being wiser than any of his neighbours. The chance of his being wiser than all his neighbours together is still smaller.
Above all, it's never blind chance: it's a chance that is always planned, but also always surprising. And I need it in order to carry on, in order to eradicate my mistakes, to destroy what I've worked out wrong, to introduce something different and disruptive. I'm often astonished to find how much better chance is than I am.
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