A Quote by Francis Bacon

I loathe my own face, and I've done self-portraits because I've had nobody else to do. — © Francis Bacon
I loathe my own face, and I've done self-portraits because I've had nobody else to do.
Why do you seem so annoyed at what I'm saying?" "Because we're too much like each other. I loathe your face, which is a caricature of mine, I loathe your voice, which is a mockery of mine, I loathe your pathetic syntax, which is my own.
While it was occasionally done here or there, nobody else had a figurehead like Walt doing it. Jack Warner wasn't on TV. Walt was the boss, but he had a real public profile and he used it to his advantage. And he became a household face.
Have fun. Do something nobody else had done before, or has done since.
I felt that the beach portraits were all self-portraits. That moment of unease, that attempt to find a pose, it was all about me.
I've always been into subcultures. In the '50s and '60s, what Pierre Molinier was doing was super subculture - he was taking self-portraits, it was very private, very intimate. I think that's actually how I started my drag - in my bedroom, taking MacBook self-portraits.
I was asking questions which nobody else had asked before, because nobody else had actually looked at certain structures. Therefore, as I will tell, the advent of the computer, not as a computer but as a drawing machine, was for me a major event in my life. That's why I was motivated to participate in the birth of computer graphics, because for me computer graphics was a way of extending my hand, extending it and being able to draw things which my hand by itself, and the hands of nobody else before, would not have been able to represent.
There are ways of angling the camera. I don't just use a tripod. The only time I did that was in '88 when I first came out of detox, I spent every day doing self-portraits to fit back into my own skin. I didn't know what the world looked like - what I looked like - so in order to fit back into myself, I took self-portraits everyday to give myself courage and to fit the pieces back together. I used a tripod then.
I'm quite a precious painter; my style is a messy fine art - sort of impressionist. I do portraits, I love painting other artists, but recently, I've been playing around with self portraits, putting on different characters.
Self-portraits have been done in painting, but never in music or literature. It has no meaning, it makes no sense. And in movies I was wondering if it could. And how.
For our children, you want them to build their own self-esteem and their own self-confidence. For your own child. You don't want it to come from somebody else because, if it does, that same person can take it away. You want them to learn the grind.
I think the most important thing in life is self-love, because if you don't have self-love, and respect for everything about your own body, your own soul, your own capsule, then how can you have an authentic relationship with anyone else?
I have never had anything done. I've been asked if I had breast implants. Whether I did or not, it's nobody's business but my own.
While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.
Nobody, absolutely nobody, straps a bomb on their body because they were recruited from the Internet. It takes an enormous amount of personal face-to-face contact and time in order to recruit a young person into the cause of jihad.
There are two circumstances that lead to arrogance: one is when you're wrong and you can't face it; the other is when you're right and nobody else can face it.
I've done 44 portraits of Obama because he's the 44th president.
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