A Quote by Francis Bacon

I use all sorts of things to work with: old brooms, old sweaters, and all kinds of peculiar tools and materials... I paint to excite myself, and make something for myself.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
One of the first things I do when I step onto a set is I scan the set and try to take in every detail, because what I'm trying to find are tools that I can use to incorporate myself into the space and tools that I can use to make the performance authentic and to build on the authenticity of that.
I'm inclined to think we are all ghosts-every one of us. It's not just what we inherit from our mothers and fathers that haunts us. Its all kinds of old defunct theories, all sorts of old defunct beliefs, and things like that.
Learning to love others begins with learning to love ourselves unconditionally first. I will never let myself down, treat myself like a doormat, or make myself small so others can feel big. I have learned that this is the biggest gift that I give not only to myself, but also to the planet, because I paint others with the same brush as I use on myself.
Wardruna is a combination of old and new. I use historical instruments and new and electronic instruments and tools. I use drones and samples to build these huge sounds. Sometimes just a sound can trigger words or melodies. I don't have a romantic notion about the past; with Wardruna I wanted to create something new using something old.
To be honest, I don't see myself acting forever. I just can't imagine myself being a 70-year-old man fighting for roles. I would love to do small parts in my friends' movies or things that I'm directing myself. I do envision myself behind the camera as I get a little bit older.
I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.
A man may as well hew marble without tools, or paint without colors or instruments, or build without materials, as perform any acceptable service without the graces of the Spirit, which are both the materials and instruments in the work.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
Vintage books, old china, antiques; maybe I love old things so much because I feel impermanent myself.
I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
I struggled in my mind with all kinds of defenses. Should I be hurt? Surprised? Should I laugh it off? I wanted to say something cruel to expiate my anger and to justify myself. But it's difficult with old friends; difficult because it's so easy. You know one another as well as lovers do and you have had less to pretend about. I poured myself a drink and shrugged. 'Nothing's perfect.
I definitely don't consider myself a kid anymore. I feel like an old man, an old 28-year-old.
Just drawing on my own experience, I never - I never - personally reference myself as old. I don't think of myself as old, but I certainly would not say that to a man.
I told myself it was the snow—she couldn’t possibly get to Philadelphia on the roads. I told myself a hundred lies. Children do that. It’s amazing the sorts of things you’ll make yourself believe.
The ability to make new work from old work - especially if that new work is different enough that it doesn't dent the market for the old work - is something that benefits all creators, since so few can claim not to have a giant or 10 supporting them underneath.
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