A Quote by Francis Bacon

It's such an extraordinary supple medium that you never do quite know what paint will do. — © Francis Bacon
It's such an extraordinary supple medium that you never do quite know what paint will do.
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
I know artists whose medium is life itself, and who express the inexpressible without brush, pencil, chisel or guitar. They neither paint nor dance. Their medium is Being. Whatever their hand touches has increased life.... They are the artists of being alive.
Someone has asked me to paint Biblical pictures, and I say no, I'll not paint something that we know nothing about, might just as well paint something that will happen two thousand years hence.
I acquired quite a lot of technical skill and got quite a long way with my painting, but I never felt I was doing what New Zealand was about with my paint.
Joel Lane documents a life we don’t quite live, in a city we can’t quite find: half glimpsed and half imagined, we know it’s out there somewhere. Waiting, maybe. Mixing fear with desire, reputation with regret. Touching the blood-beat of our secret hunger with the rhythms of a music that never felt alien till now. Wasted lives, with never a wasted word. It’s an extraordinary achievement: vivid as neon, real as rain. Devastating.
The feeling that you get.... when you know something is happening that will change you, and you don't want it to, but you can't stop it. And you know, for the first time, that there will now be a before and an after, a was and a will be. And that you will never again quite be the same person you were.
Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint.
The first one was quite cheap, but that was expensive for us. For my folks to buy on the Never Never. It was quite, you know, a rare object to have and I gained quite a lot of status by having this.
You can never judge a paint hue by the liquid color in the paint pot. You must apply it to a wall, wait for the paint to dry, then decide.
Know what you're trying to do before you do it. Turning knobs at random isn't enlightening any more than throwing paint at a wall blindfolded will let you paint a nice picture.
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.
Speaking for myself, art differs from writing in that I never know what I'm going to paint until I paint it, so it's almost like automatic writing. A writer, on the other hand, can't help but know what he's going to write, because the activity demands a degree of premeditation.
I was incredibly supple and did gymnastics as well. So half of my injuries are because I am over-supple and the joints could always go that little bit further. But I was happy to push, and I have no regrets. That is important to say.
I don't know if the podcast as a medium will ever have the cultural impact that TV and movies do. It may never be super-mainstream.
Listen to your child enough and you will come to realize that he or she is quite an extraordinary individual. And the more extraordinary you realize your child to be the more you will be willing to listen. And the more you will learn.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
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