A Quote by Francis Bacon
Beauty itself is but the sensible image of the Infinite.
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Beauty is but the sensible image of the infinite. Like truth and justice, it lives within us; like virtue and the moral law, it is a companion of the soul.
Beauty is but the sensible image of the Infinite. Like truth and justice it lives within us; like virtue and the moral law it is a companion of the soul.
For, in truth, an image is only dead matter shaped by the craftsman's hand. But we have no sensible image of sensible matter, but an image that is perceived by the mind alone: God, who alone is truly God.
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
The human species was given dominion over the earth and took the opportunity to exterminate other species and warm the atmosphere and generally ruin things in its own image, but it paid this price for its privileges: that the finite and specific animal body of this species contained a brain capable of conceiving the infinite and wishing to be infinite itself.
Since infinity is by its very nature infinite, then enlightenment by its very nature is infinite, and thus can be experienced in infinite ways, by itself or without itself
When I speak of the aspiration towards the beautiful, of the ideal as the ultimate aim of art, which grows from a yearning for that ideal, I am not for a moment suggesting that art should shun the 'dirt' of the world. On the contrary! the artistic image is always a metonym, where one thing is substituted for another, the smaller for the greater. To tell of what is living, the artist uses something dead; to speak of the infinite, he shows the finite. Substitution... the infinite cannot be made into matter, but it is possible to create an illusion of the infinite: the image.
The Christian must be consumed by the conviction of the infinite beauty of holiness and the infinite damnability of sin.
God created us for this: to live our lives in a way that makes him look more like the greatness and the beauty and the infinite worth that he really is. This is what it means to be created in the image of God.
It was the upward-reaching and fathomlessly hungering, heart-breaking love for the beauty of the world at its most beautiful, and, beyond that, for that beauty east of the sun and west of the moon which is past the reach of all but our most desperate desiring and is finally the beauty of Beauty itself, of Being itself and what lies at the heart of Being.
The one infinite is perfect , in simplicity , of itself, absolutely, nor can aught be greater or better, This is the one Whole, God , universal Nature , occupying all space, of whom naught but infinity can give the perfect image or semblance.
[Georg Cantor was the first to prove that there could be a series of infinities; that infinities come in an infinite number of sizes.] Thus Cantor's Absolute is a perfect image for what we experience of God. When I speak of a Big Enough God I am not merely thinking of an Infinite God, but the God of infinities, the Absolute, which either chooses to reveal itself or remains veiled in mystery. Modern mathematics does begin to feel like the language that God talks.
The fund of sensible discourse is limited; that of jest and badinerie is infinite.
We are not to reflect on the wickedness of men but to look to the image of God in them, an image which, covering and obliterating their faults, an image which, by its beauty and dignity, should allure us to love and embrace them.
The Navajo have that wonderful image of what they call the pollen path. The Navajo say, 'Oh, beauty before me, beauty behind me, beauty to the right of me, beauty to the left of me, beauty above me, beauty below me, I'm on the pollen path.'
Without an allegiance to beauty, art degenerates into a caricature of itself. It is beauty that animates aesthetic experience, making it so seductive; but aesthetic experience itself degenerates into a kind of fetish or idol if it is held up as an end in itself, untested by the rest of life.
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