A Quote by Francis Chan

I don't want Him to return and find me sitting in a theater. — © Francis Chan
I don't want Him to return and find me sitting in a theater.
Returning to WWE before retiring is not a question of whether they want to or I want to return. Neither I hope nor want to return, nor do they expect me to return or want me to return.
James Wilkie is so conscious of the time we spend together. I try to be home to tuck him in at least four nights a week, and if I'm not, he's not letting me get away with anything. The other night I was sitting with him on the steps before Matthew and I went out to the theater, and he looked at me and said, `Mama, this has got to stop. Go upstairs and take that dress off.'
It's based not only on what it played like in the theater, but it's also knowing that certain things play differently in a home theater environment. You have different expectations when you're sitting with 700 people than when you're sitting with your friends or family. It's just a different world.
Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.
It's made me more expectant of the imminent return of Jesus, and also more sensitive to the people around me. Knowing Jesus will return soon makes me want all the more to tell people about him and all that he offers.
When you find theater writing like in the theater on film but it's realistic, it doesn't matter who the character is, you want to do it.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
I was a creative kid; I wasn't really into sports, and sports in the South are a pretty big deal. It's like a religion down there. It was tough to find my footing, but thankfully, my parents discovered, through a neighbor, this theater called Young Actors Theater and signed me up for the summer program. It really was a gift. Even if a kid doesn't go into acting or the arts like I did, some kids need that environment to find themselves and find what they love to do. I'm so thankful for that theater; it was a big gift to me.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
Pressure, to me, was creating a 'Star Wars' film, then sitting alone in a theater with George Lucas and showing it to him, the guy that created the word 'Wookiee' and R2-D2. That was pressure.
I think the biggest challenge is going to be finding a place that sells comics. Ideally, you want someone to come out of a movie theater, look across the street, see a newsstand, walk in and find a copy of the 'X-Men' sitting there. But that's not what's going to happen.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
I spent my childhood watching every scary movie that Hollywood ever made. And I think that gave me the best education for storytelling. It also made me want to reproduce the scary moments that I felt, sitting in a theater at the age of 5.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.
Oh, yes. I mean to marry him. But not because I want him to give me a life. I want to marry him to share the life I already have. The difference, I think you will find, is a significant one.
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