A Quote by Francis Chan

I've never felt a need to really respond to someone else's writing. — © Francis Chan
I've never felt a need to really respond to someone else's writing.
I concentrated on Rossini when I began, and I never really felt any competition. I sang in the best houses, and I believed I was always a first choice. I was lucky in a way - I never felt there was someone else who was getting the roles in another theatre and that we were competing.
There is no real education that does not respond to felt need; anything else acquired is trifling display.
I've always felt writing is an art. Publishing is a business. I felt strongly if I was going to write, I would write what I wanted to, and if the 'market' didn't respond, there was nothing I could really do about it.
My father never felt the need to wrap himself in anybody's mantle. He never felt the need to pretend to be anybody else. This is their administration. This is their war. If they can't stand on their own two feet, well, they're no Ronald Reagans, that's for sure.
I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
As a teenager and a young adult, I never felt like my own story was interesting enough to tell, so I always wrote lyrics from someone else's perspective - told someone else's story.
When a person you love dies, it doesn’t feel real. It’s like it’s happening to someone else. It’s someone else’s life. I’ve never been good with the abstract. What does it mean when someone is really truly gone?
Reading someone else's newspaper is like sleeping with someone else's wife. Nothing seems to be precisely in the right place, and when you find what you are looking for, it is not clear then how to respond to it.
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
I never felt the need for feminism. I never felt competition with men, which I really believed started the movement.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
I've never been a jealous person, and I've never felt built up by someone else's failure - that's a cheap thrill.
You shape your perceptions, or someone shapes them for you. You do what you want to do, or you respond to someone else's plan for you.
It's really liberating and fun to be writing stuff for myself, and really have the freedom to say what I want to say and not really have to think about what somebody else is going to say or have to edit myself to speak from someone else's vision.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
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