A Quote by Francis Collins
I had the analysis of a million or so SNPs [single nucleotide polymorphisms] just to see what was there. That's partly because I was writing a book about DNA and personalized medicine and I thought it would be a little bit disingenuous to talk about what could be done without actually having the experiment done on yourself.
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I feel like I've got so much to do, from a music perspective. Jamie's done his record and traveled around the world with it. Romy did all those writing sessions. I would love to do what Romy's done and experience that other side of the pop machine. It sounds terrifying and, at times, a little bit soulless. That's a real pet peeve of mine, when people talk about songwriting in a cynical way. But having said that I still want to do it, just to know what it's like.
The people I always loved listening to had a little bit of dirt under their fingernails because they had done some living and had these stories to talk about.
The best books, they don’t talk about things you never thought about before. They talk about things you’d always thought about, but you didn’t think anyone else had thought about. You read them, and suddenly you’re a little bit less alone in the world. You’re part of this cosmic community of people who’ve thought about this thing, whatever it happens to be.
I honestly think if I had made a ton of money as an actor, I wouldn't have done anything else. (Hah!) Then I turned to writing plays. If that paid me well, I don't know if I would have turned to TV. Or coaching. I've now devised a combination of things partly because I'm having fun, and partly because I'm piecing together a way to make a living.
I say that is because those are the times where sometimes you feel actually a little bit hurt. Because you feel like saying to these folks, "[Don't] you think if I could do it, I [would] have just done it. Do you think that the only problem is that I don't care enough about the plight of poor people, or gay people, or immigrants, or ...?"
By having a little bit of knowledge about many different things, it enables me to talk to people about a subject that they would not ordinarily think I could talk about. It's a lever for me, I suppose.
At the time I was first writing the stories/essays that appear in Oedipus Wrecked, I was still under the impression that people would be delighted to see their name in print. I overlooked the fact that I was writing about intimate matters, and people are a bit touchy about airing their private lives in such a public fashion. Especially when it's done without their consent.
Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn't remember it, but if they had done it, or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether.
I've written a lot about drugs and alcohol. I wouldn't say it's because we've gotten bigger or anything, but I kind of feel a little bit done with it. There are other things to talk about.
What really happened was one day in my late five I went out and I found my dad in the garage staining some wood because sometimes he makes furniture for the house. I said, "Could I experiment a little bit?" and he said sure so I experimented and I realized that it's so fun! You can express yourself, you can use your imagination, and in just that little time I wanted to change the world for the better. After that wonderful experience I thought, how about painting?
All this talk about writing is a little bit moot, because it is almost an unthinking process. It is actually a paradox because you are constantly making choices.
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
The internet has no government, no constitution, no laws, no rights, no police, no courts. Don't talk about fairness or innocence, and don't talk about what should be done. Instead, talk about what is being done and what will be done by the amorphous unreachable undefinable blob called the internet user base.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
Two years ago, China tested an anti-satellite weapon that actually caused quite a bit of controversy and one of the controversies is that by blowing up a satellite, you are creating more space debris which is a hazard to satellites and spacecraft in lower Earth orbit and if they had been a partner, you'd have to do an experiment, and if they had been a partner in the international space station, would they have really done that test? They would have really thought twice about creating that tension between the countries and potentially endangering a project that they were a part of.
The best definition I've heard is that guilt is about what you've done, shame is about who you are. If something's out of my control, I don't feel shame about it, because what could I have done? If you're guilty, you can at least try to atone for it or make it better or not do it again. If it's who you are, you can't do much about it except change yourself, and that's pretty hard.
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