A Quote by Francis Collins
What does it take to get people interested, what does it take to get people engaged, what does it take to get them to give a biospecimen? What does it take to get people like Jim [Ostell] to get interested and engaged, versus someone like my mother?
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How many does it take to metamorphose wickedness into righteousness? One man must not kill. If he does, it is murder.... But a state or nation may kill as many as they please, and it is not murder. It is just, necessary, commendable, and right. Only get people enough to agree to it, and the butchery of myriads of human beings is perfectly innocent. But how many does it take?
Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.
While budgets are tight right now, there are schools across the country that are showing that it doesn't take a whole lot of money or resources to give our kids the nutrition they deserve. What it does take, however, is effort. What it does take is imagination. What it does take is a commitment to our children's futures.
I take pride in my music, I feel like it actually does something for people personally, in their personal lives, so it's real music and it helps people get through things like I was able to get through things.
If two people have a couple of kids, somebody does have to take care of the kids. Somebody does have to cook dinner; somebody does have to do garbage duty. We need to take some time and give some thought, without being angry, to just thinking about what these new structures are going to look like.
For a band like me I don't really get crazy exposure with the record so sometimes it does take a while to circulate around and get out to fans.
Let’s take this figure of the feminist killjoy seriously. Does the feminist kill other people’s joy by pointing out moments of sexism? Or does she expose the bad feelings that get hidden, displaced, or negated under public signs of joy? Does bad feeling enter the room when somebody expresses anger about things, or could anger be the moment when the bad feelings that circulate through objects get brought to the surface in a certain way?
It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.
To perceive victory when it is known to all is not really skilful... It does not take much strength to lift a hair, it does not take sharp eyes to see the sun and moon, it does not take sharp ears to hear the thunderclap.
Many times, one does get interesting work, but it is also work that doesn't get funded because one sure-shot way to get funding is to take a big star.
I think it's really tragic when people get serious about stuff. It's such an absurdity to take anything really seriously ... I make an honest attempt not to take anything seriously: I worked that attitude out about the time I was eighteen, I mean, what does it all mean when you get right down to it, what's the story here? Being alive is so weird.
Sure, I've had some bad times, but everybody does. But people don't get to talk about them like I do, unless they do to a therapist. People don't get to put them in the paper like I do.
I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
Not many shows bring fans and artists together, and 'Rock Dinner' is one of the few shows that does it. Every opportunity I get to get closer to one of my fans - and get to know them and talk to them - I'm always going to take that opportunity with arms wide open and make it a priority.
The goal of Can't Do Nothing is to ask people, what matters for you? And whatever it is, what are you doing about it? How bad does it need to get before you take action?
I'm not going to be like, "I gotta get this idea out of my head." It's like, "OK, here's a clean slate, and I've got all these paints, and all these brushes, and this is what I'm going to do with it." It reveals itself, and you take a step back and say, "What's happening here? Where are we going? What does this mean? Do I need to break it open? Does it need to just be what it is? Should it end now?"
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