A Quote by Francis Collins
To get our universe, with all of its potential for complexities or any kind of potential for any kind of life-form, everything has to be precisely defined on this knife edge of improbability. [Y]ou have to see the hands of a creator who set the parameters to be just so because the creator was interested in something a little more complicated than random particles.
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I think that it's really important to step back and to take breaks as a digital creator because every other kind of platform is kind of set up to have seasons or time off or at least a barrier between creator and consumer. You have these set-up boundaries.
It is probably no exaggeration to suppose that in order to improve such an organ as the eye at all, it must be improved in ten different ways at once. And the improbability of any complex organ being produced and brought to perfection in any such way is an improbability of the same kind and degree as that of producing a poem or a mathematical demonstration by throwing letters at random on a table.
In L.A., you have to drive; in New York, you can do it on foot. The variety, the potential, of people is in your face. Like any good creator, you want to steal everything.
There is no plateau of resting or stabilising. Once you are interested in how things evolve, you have a kind of never-ending perspective, because it means you are interested in articulating the evolution, and therefore the potential change, the potential redefinition.
Years ago I went into my laboratory and said, 'Dear Mr. Creator, please tell me what the universe was made for?' The Great Creator answered, 'You want to know too much for that little mind of yours. Ask for something more your size, little man.'
There is immense, powerful potential in life in this universe - especially now that we know that places like the Earth are common. And that potential, that powerful potential, is also our potential, of you and me.
By trying to adjust to the findings that it once tried so viciously to ban and repress, religion has only succeeded in restating the same questions that undermined it in earlier epochs. What kind of designer or creator is so wasteful and capricious and approximate? What kind of designer or creator is so cruel and indifferent? And - most of all - what kind of designer or creator only chooses to "reveal" himself to semi-stupefied peasants in desert regions?
I see no reason to believe that a creator of protoplasm or primeval matter, if such there be, has any reason to be interested in our insignificant race in a tiny corner of the universe, and still less in us, as still more insignificant individuals. Again, I see no reason why the belief that we are insignificant or fortuitous should lessen our faith.
There are so many rules in Judaism, and if you get into them and you get obsessed and you have the kind of life that I have, it can make you a very unhappy person. It can make everything complicated and more stressful than it needs to be, so I kind of loosened the knots a little bit.
A universe with a creator would be a totally different kind of universe, scientifically speaking, than one without.
There are always a lot of guys that have potential, but to make it a certain amount of years in the league, it takes more than just potential. You have to be professional, you have to be a good teammate, do things the right way. So now, any chance I get to talk to younger guys, I do it.
I'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure.
So long as the universe had a beginning, we could suppose it had a creator. But if the universe is really completely self-contained, having no boundary or edge, it would have neither beginning nor end: it would simply be. What place, then, for a creator?
The relationship we have with God is not the same over a life; sometimes, as with human relationships, it goes through bad patches and sometimes it becomes very intense. It is a terrifying thing to have a relationship with one's creator, to spend one's life so that one is trying to converge with one's creator seems an extraordinarily difficult and sublime thing. But at the same time it's extremely simple. One of the things which perpetually amazes me is that at any moment or any day, anyone who is alive can talk with the creator of the cosmos.
God and the universe said to me one day, "You're only going to get what's good for you." That's kind of how I try to look at things. Isn't that true, when you look back at things? "Ooh, I'm glad I didn't get that!" You get more philosophical when you get older, with the more life experiences you have. But I don't have any bad feelings towards anybody that was ever involved in any of that stuff, because I don't think that people usually set out to hurt you. I think that hurt is all manufactured by yourself and your expectations.
If sometimes our great artists have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.
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