A Quote by Francisco Costa
I wasn't a club kid. I wasn't an artist. I was just a foreigner, trying to soak it all up. I had quite a lot of fun.
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'Super 8' was a lot of fun. It was a lot of fun working with J.J. Abrams, who I think is a kid in a grown man's body, which is a great ingredient for any artist in our business. You have to be a kid at heart to be able to make believe, and his imagination is phenomenal.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
I haven't always wanted to be an actor, no. I wasn't one of the little kids that was desperate to be an actor. I did a lot of drama and a lot of music, but it was just something for fun on the side. I was quite shy as a kid and I found a lot of freedom in performing. I never knew you could do it as a job.
I just did loads of dead-end jobs and a lot of travelling - just farting around, really. I had quite a lot of fun, but I've got no qualifications, no skills.
When I was in college I thought of making up a fictive artist and giving him a name and a body of work. Eventually I came around to the idea of using my own name, which had this strange distancing effect, similar to using a found object. Being a Turk was quite interesting because in a sense it was like being a foreigner.
You go to all these parties and meet all these crazy people. But ultimately, it just ends up with you in a club, and then you're in the VIP area of the club, and then you're in the special secret VIP bit, and then eventually, it's just you, on your own, in a VIP box, going, 'Is this fun? I'm not sure this is fun.'
Despite being quite a shy kid, I was in my element with my mates. I definitely wasn't shy then. We had a lot of fun, running around town getting into mischief.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
Growing up as a kid, I played for Wallsend Boys Club, a famous boys club. I had such a good childhood and upbringing there.
There are a lot of classic Goapele tracks that are obviously me. And I'm also just trying to keep evolving and grow as an artist. I've always had a wish list of producers I wanted to work with. I just wait until the feeling is mutual and go into the studio to see what we can come up with.
It was not cool to be that fun, bubbly kid, so I would just go off on my own and sing and make up songs, and that's how I think I developed into the kind of artist and writer that I am.
My father was a very fun dad; he was always coaching our soccer sports teams, he made sure that we had activities to do. He was kind of goofy and fun. But at the same time, he had a lot of lessons to teach us so that we didn't grow up and just not be good people. I try and reflect a lot on how I was raised by my father in the character that I'm playing now in being a dad. You've got to be strong for these kids. You also have to be fun and teach them all the lessons, not just one, or two, or three.
Wherever I've been, I've tried to soak up the essence of the club, the town, and to transmit that to the players.
I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
I come from a country whose idea of masculinity is quite extreme, and I've grown up around a lot of that energy. I've been part of that a lot. And it's very draining; it's quite tiring trying to be macho.
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