A Quote by Francisco Goldman

I identify myself as what I am. I'm half Jewish, like Proust. I have no other way to put it. — © Francisco Goldman
I identify myself as what I am. I'm half Jewish, like Proust. I have no other way to put it.
I don't consider myself Jewish. I am half-Jewish by race but not through my mother.
I love Marcel Proust, but I leave him to his nostalgia. I don't approach art the way most people do. I don't get into Proust by imagining that I am Charlus or whoever. It's the same thing in painting - I try to look at it objectively. There's no pathos in that. It's like Bach's "Goldberg Variations." They have to be approached with a scalpel.
I am half-Jewish, and yet really hadn't been brought up within the Jewish faith. So I had felt culturally Jewish, if that's possible, without really understanding it.
I consider myself a Jewish writer - even if my characters frequently are not Jewish - in the same way, I guess, that I consider myself a Jewish man, even though I don't often attend shul.
I'm the little half-black, half-Jewish girl who was odd and awkward. I try to be myself.
Being hapa, or more specifically, half-Japanese half-Euro mutt (English, Irish, Scottish, Dutch, French, Welsh, German. . .in case you were wondering), has definitely helped shape who I am. It's very cool to get to identify and learn about all these unique cultures and I think it's helped put the world in perspective.
I wonder if I don't give too much of myself to writing: I am always half where I am; the other half is feeding the furnace, kick-starting the heat of creativity. I am making love with someone but at the same time I'm noticing how this graceful hand across my belly might just fit in with the memory of lilacs in Albuquerque in 1974.
I'm Jewish, and my family is Jewish. I was very interested in Woody Allen when I was growing up, but I don't think of myself as a Jewish writer. I'm more from suburbia, American suburbia. I'm more from the '70s than I am from Judaism.
I identify myself in language, but only by losing myself in it like an object. What is realised in my history is not the past definite of what was, since it is no more, or even the present perfect of what has been in what I am, but the future anterior of what I shall have been for what I am in the process of becoming.
I like being Jewish and I married a Jewish girl. It's like a way of life and it's good to be able to instil some of that sense of being in your kids. All of that makes me seem as though I am quite observant but actually the flipside of this is I don't know if there is a God or not.
I got into the situation where I was extreme right. It turned out that my mother is Jewish, my grandmother is Jewish. I am Jewish. So I can't hate Jewish people.
I'm lucky because I have so many clashing cultural, racial things going on: black, Jewish, Irish, Portuguese, Cherokee. I can float and be part of any community I want. The thing is, I do identify with being black, and if people don't identify me that way that's their issue. I’m happy to challenge people's understanding of what it looks like to be biracial, because guess what? In the next 50 years, people will start looking more and more like me.
For those of you who aren't aware I am Jewish, the name might have given it away, and there were no other Jewish kids on my football team, so it was an adjustment for me because the kids didn't exactly love the fact that there was a Jewish kid taking their spot.
Of course I consider myself a Jewish writer - I am one! All of the protagonists in my five books have been Jewish, and I wouldn't be surprised if all my future main characters were as well.
I am officially Jewish, but I’m Jewish in the same way the Olive Garden is an Italian restaurant.
It is one of the many merits of this admirable biography of Proust's mother that it invites one to return to the novel with perhaps a fuller understanding of Proust's heredity, hinterland, and upbringing. . . . This fascinating book is full of interesting social and cultural observation, of information about French Jewish life, the position of Jews in society and, of course, the Dreyfus case. But it is essentially a study of one of the most remarkable and fruitful of mother-son relationships. As such it is a book that every Proustian will want to read.
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