A Quote by Francisco Goya
First be a magnificent artist and then you can do whatever, but the art must be first.
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In a sense, the first (if not necessarily the prime) function of a novelist, of ANY artist, is to entertain. If the poem, painting, play or novel does not immediately engage one's surface interest then it has failed. Whatever else it may or may not be, art is also entertainment. Bad art fails to entertain. Good art does something in addition.
I went to school at the San Francisco Art Institute, thinking I was going to become an art teacher. Within the first six months I was there, I was told that I couldn't be an art teacher unless I became an artist first.
There are some very powerful contributions to knowledge in the scientific world or the legal world, but art is singular. That's why every dictator gets rid of the artists first. They burn the books and execute the artists first. Then they get on with whatever else they're interested in. Art might do something. It's dangerous.
What we also need to have a discussion on the philosophy of art: so we must ask what is it that we want in the first place? Is it just about saying and doing whatever you want, or is it about something more? We should let the artist be free, but we must also question how exactly he deals with freedom. Is it arts for elevation or arts for destruction? Is there dignity in the process?
Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.
This was my first encounter with art as art (he saw 'Pinky' painted by Sir Thomas Lawrence and 'The Blue Boy" painted by Thomas Gainborough).. ..somebody actually MADE those paintings.. ..(it) was the first time I realized you could be an artist.
The definition of art has changed almost every day since the first artist created the first work at least fifty thousand years ago.
Above all, artists must not be only in art galleries or museums - they must be present in all possible activities. The artist must be the sponsor of thought in whatever endeavor people take on, at every level.
It is terribly important to realize that the leap of faith is not so much a leap of thought as of action. For while in many matters it is first we must see then we will act; in matters of faith it is first we must do then we will know, first we will be and then we will see. One must, in short, dare to act wholeheartedly without absolute certainty.
At first, I didn't want to do unicorns. The artist in me said no. Then I thought, 'Wait a minute: this is commercial art. Let's do what's going to sell.'
Then he read the words of the scroll slowly, first in Japanese and then carefully translated into English: 'There is really nothing you must be. And there is nothing you must do. There is really nothing you must have. And there is nothing you must know. There is really nothing you must become. However. It helps to understand that fire burns, and when it rains, the earth gets wet. . . .' 'Whatever, there are consequences. Nobody is exempt,' said the master.
I admire writers who succeed at what I consider the first demand of art: that the artist vivisect himself without pity, without hesitation, determined to reveal whatever he might find.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
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