A Quote by Franco Harris

Jack Lambert is mean and relentless wherever he goes, on and off the field! I do remember many times he would chase me in practice but no way would I let him catch me. — © Franco Harris
Jack Lambert is mean and relentless wherever he goes, on and off the field! I do remember many times he would chase me in practice but no way would I let him catch me.
'Mean' is a song I wrote about somebody who wrote things that were so mean so many times that it would ruin my day. Then it would ruin the next day. And it would level me so many times, I just felt like I was being hit in the face every time this person would take to their computer.
I always had a sense of discipline in me. However, there was a time when I couldn't divide my time properly between off-field things and on-field assignments. The focus would be missing at times, and that would affect my preparation for matches. I managed to change that.
He was not a runner, my father, but he was quick. I always remember it was very difficult to escape from him when he was angry. If he wanted to beat us he would always catch us. Even me, he could always catch me.
With every character you play, as these guys will tell you, there's a part of you goes into that in terms of the ingredients of making this stew. There's most definitely a part of me in Captain Jack and now, fortunately or unfortunately, there's a great part of Captain Jack in me as well. Basically, I can't shake him. He won't leave me alone. He just sort of keeps showing up at odd times.
I think I can remember being dead. Many times, in winter, I approached Zeus. Tell me, I would ask him, how can I endure the earth?
The angels started visiting and helping me as far back as I can remember. I was lonely a lot in my childhood and the angels would come and comfort me, and help me to feel better, and at the same time they would also take me to places. I literally mean they would take me on a journey and tell me things.
In my father's later years he asked several times that I remember him the way I knew him. He said that after his death, people would talk. They would say 'things' about him and he wouldn't be there to defend himself.
I would have to commit a crime and have cops chase me. That would be the only way to get me to jog five miles.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
When I was a teenager and all these shows were on I was in that business, so I knew a lot of people in the theaters and I saw many of the great shows many times. I would go in and stand in the back - they would let me in, they knew me. I saw Fiddler on the Roof, A Funny Thing Happened on the Way to the Forum, Gypsy, and Funny Girl many times just standing in the back.
I've always been a daydreamer, and sometimes in lessons my mind would drift and I'd imagine that on the way home a terrorist might jump out and shoot me on those steps. I wondered what I would do. Maybe I'd take off my shoes and hit him, but then I'd think if I did that there would be no difference between me and a terrorist. It would be better to plead, 'OK, shoot me, but first listen to me. What you are doing is wrong. I'm not against you personally, I just want every girl to go to school.'
In 1968 I frequently would sit in a photo booth and practice self mirror images which I then documented photographically. Curious types would always open the curtains and chase me away. Today I work with a photographer.
I loved him. I hated him. I wanted to kiss him. I wanted to strangle him. I was a walking, talking contradiction. There were days I was so torn by my conflicting emotions that I thought I would be ripped in half. Staring at my best friend and secret object of my undying love, I wondered if I would ever get off this crazy train of emotions swirling around inside me. I didn't like feeling this way. But the truth was I couldn't remember a time I didn't feel this aching need to completely immerse myself in all things Daniel Lowe.
Coaches would have me in the gym do 1,000 kicks for a practice. I would do them until everyone was gone, until I had done all my kicks. People asked me why I would do it - that's stupid. But my coach told me to do something like that, and I knew it would benefit me, and I would do it.
If I fought for them and was crippled, they would all say nice things,and then they would replace me and forget I was ever there. You would stay with me. You would take care of me, because you love me. I love you too, Kate. If you ever became hurt, I would not leave you. I’ll be there. Wherever you want‘there’ to be. -Curran to Kate
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