A Quote by Franco Moschino

I don't say I create. I copy, of course. I've never been interested in the point of view of the tailor or creator. Fashion is a visual impression. This is why I often refuse the name of fashion designer. It's a superficial, stupid job. The social-psychological aspect is more interesting.
I have always been interested in fashion and even contemplated being a fashion designer at one point of time.
I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.
I don't really follow fashion exactly, but I've always been very interested in the way that you present yourself as an expression of yourself, so that's my idea of fashion and style from a personal point of view.
I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.
I was obsessed with fashion when I was young. I thought fashion meant fashion design, and I thought I wanted to be a designer at some point.
My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.
The reason I do this job is because I started to be a painter. Making money in art was difficult. The easiest way to make money was to use art for some other reason. One of the easiest and most interesting from an economic point of view was fashion. Fashion pays.
There are women who have completely transformed my view of fashion and if I hadn't shown them I would never have arrived at this point in fashion, you see.
Often when I meet people and say I'm a designer, they say, 'Oh, a fashion designer.' Which is not a bad thing I suppose, a bit groovy.
My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.
I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.
What's important to a fashion designer? It's much more than learning how to make clothes. In fact, that merely makes you a dressmaker. It doesn't make you into a fashion designer.
The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
I have always been interested in fashion as an informing design discipline: proportion structure, detail, materiality, texture, color and quality. With a heightened interest in, and an awareness of the built environment, the 'store' has become a critical, perceptual and psychological component of merchandising as well as imaging. Architecture and fashion are partners.
I hate fashion. Or the word fashion, which sounds colorful, extravagant, expensive and gorgeous. “I never wanted to walk the main street of fashion. I have been walking the sidewalks of fashion from the beginning, so I’m a bit dark.
Growing up, I wanted to be a fashion designer, which I'm still in school for. Like, that's what I want to be: a fashion designer.
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