A Quote by Francois de La Rochefoucauld
In all aspects of life, we take on a part and an appearance to seem to be what we wish to be--and thus the world is merely composed of actors.
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As far as I'm concerned, the world is composed of stories. For architects, the world is composed of buildings, for actors the world is composed of theatres, or whatever... For me, the world is simply composed of stories, when I look, that's what I see.
I wish I was super-serious, anguished. I see those actors, and I am like, 'Oh God, they are so cool, and they seem so interesting.' I don't take acting that seriously.
As a spirit having a human experience, you can choose to not merely exist but to be fully conscious and aware of living in a limited world. When you take a conscious part in life and its multitudes of choices, you won't let life happen to you - you will make life happen for you.
I set up a system, and the system can catch part of what is happening in the world - what's going on in the world - an appearance in the world, and suspend that appearance itself from being important.... The work is about the system.
There is a world of created beings - living things, animals, entelechies, and souls - in the least part of matter.... Thus there is nothing waste, nothing sterile, nothing dead in the universe; no chaos, no confusions, save in appearance.
We are thankful for these and all the good things of life. We recognize that they are a part of our common heritage and come to us through the efforts of our brothers and sisters the world over. What we desire for ourselves, we wish for all. To this end, may we take our share in the world's work and the world's struggles.
We do not wish to "judge" or assess out surrounding merely as a kind of expressive activity carelessly projected onto the world, but we wish to evaluate the world "correctly," i.e., in according with that it truly is, and the desire to know is directed at determining what the world truly is.
It seems to me that in the western world, culture has something to do with appearance. A person that's out creating good stuff has got to appreciate someone when they take the time to have an appearance that goes with what they're doing.
Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appearance on parade. Their works are done as an apology or extenuation of their living in the world. I do not wish to expiate, but to live. My life is not an apology, but a life.
We must learn to suffer what we cannot evade; our life, like the harmony of the world, is composed of contrary things, and one part is no less necessary than the other.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
It’s a New Year and with it comes a fresh opportunity to shape our world. So this is my wish, a wish for me as much as it is a wish for you: in the world to come, let us be brave – let us walk into the dark without fear, and step into the unknown with smiles on our faces, even if we’re faking them. And whatever happens to us, whatever we make, whatever we learn, let us take joy in it. We can find joy in the world if it’s joy we’re looking for, we can take joy in the act of creation. So that is my wish for you, and for me. Bravery and joy.
I seem to be able to disassociate my insecurities. I know a lot of actors - some of the best actors in the world - can't bear to watch themselves and I have to say I can't relate to that.
A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.
I'm not interested in current events per se, but I am interested in how certain aspects of social or public life that might seem ultra-contemporary actually take their place in a long American continuum.
The aim of science is to apprehend this purely intelligible world as a thing in itself, an object which is what it is independently of all thinking, and thus antithetical to the sensible world.... The world of thought is the universal, the timeless and spaceless, the absolutely necessary, whereas the world of sense is the contingent, the changing and moving appearance which somehow indicates or symbolizes it.
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