A Quote by Francois de La Rochefoucauld

We may say of agreeableness, as distinct from beauty, that it is a symmetry whose rules are unknown. — © Francois de La Rochefoucauld
We may say of agreeableness, as distinct from beauty, that it is a symmetry whose rules are unknown.
We may say of agreeableness, as distinct from beauty, that it consists in a symmetry of which we know not the rules, and a secret conformity of the features to each other, as also to the air and complexion of the person.
Beauty is rather a light that plays over the symmetry of things than that symmetry itself.
As the flower turns to the sun, that the bright beams may aid in perfecting its beauty and symmetry, so should we turn to the Sun of Righteousness, that Heaven's light may shine upon us, that our character may be developed in to the likeness of Christ.
I know that I'm an animal that displays bilateral symmetry. I understand that one side should be the mirror of the other, and that human perceptions of beauty are intimately associated with symmetry. For example, I am very handsome.
The law of right-left symmetry was used in classical physics but was not of any great practical importance there. One reason for this derives from the fact that right-left symmetry is a discrete symmetry, unlike rotational symmetry, which is continuous.
Symmetry, as wide or as narrow as you may define its meaning, is one idea by which man through the ages has tried to comprehend and create order, beauty and perfection.
If measure and symmetry are absent from any composition in any degree, ruin awaits both the ingredients and the composition... Measure and symmetry are beauty and virtue the world over.
By these things examine thyself. By whose rules am I acting; in whose name; in whose strength; in whose glory? What faith, humility, self-denial, and love of God and to man have there been in all my actions?
There is also a distinct possibility that there are other actors ? whose names have not leaked to the press ? who may stand just as good a chance of landing the part.
Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.
I may be mistaken but it seems to me that a man may be judged by his laugh, and that if at first encounter you like the laugh of a person completely unknown to you, you may say with assurance that he is good.
Even though we have lost yardsticks by which to measure, and rules under which to subsume the particular, a being whose essence is a beginning may have enough of origin within himself to understand without preconceived categories and to judge without the set of customary rules which is morality.
Tidiness is a virtue, symmetry is often a constituent of beauty.
The history of this paper suggests that highly speculative investigations, especially by an unknown author, are best brought before the world through some other channel than a scientific society, which naturally hesitates to admit into its printed records matters of uncertain value. Perhaps one may go further and say that a young author who believes himself capable of great things would usually do well to secure the favourable recognition of the scientific world by work whose scope is limited and whose value is easily judged, before embarking upon higher flights.
There are three distinct kind of judges upon all new authors or productions; the first are those who know no rules, but pronounce entirely from their natural taste and feelings; the second are those who know and judge by rules; and the third are those who know, but are above the rules. These last are those you should wish to satisfy. Next to them rate the natural judges; but ever despise those opinions that are formed by the rules.
Every moment a taste of that beauty in our mouths, another stashed in a pocket. Impossible to say what: no cypress so handsome, no sunlight, a lonely hiddenness. Other pleasure gathers a crowd, starts a fight, lots of noise there. But soul beauty stays quiet..his amazing whereabouts unknown inside my heart.
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