A Quote by Francois de La Rochefoucauld

Moral severity in women is only a dress or paint which they use to set off their beauty. — © Francois de La Rochefoucauld
Moral severity in women is only a dress or paint which they use to set off their beauty.
Women particularly can dress modestly and in the process contribute to their own self­ respect and to the moral purity of men. In the end, most women get the type of man they dress for.
Christ does not dress up a moral picture, and ask you to observe its beauty. He only tells you how to live; and the most beautiful characters the world has ever seen, have been those who received and lived these precepts without once conceiving their beauty.
Thus, the controversy about the Moral Majority arises not only from its views, but from its name - which, in the minds of many, seems to imply that only one set of public policies is moral and only one majority can possibly be right.
There is a thing about beauty. Beauty is always associated with the male fantasy of what the female body is. I don’t think there is anything wrong with beauty. It’s just what women think is beautiful can be different. And there can be a beauty in individualism. If there is a wart or a scar, this can be beautiful, in a sense, when you paint it.
It is with books as with women, where a certain plainness of manner and of dress is more engaging than that glare of paint and airs and apparel which may dazzle the eye, but reaches not the affections.
I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
Physical beauty is the sign of an interior beauty, a spiritual and moral beauty which is the basis, the principle, and the unity of the beautiful.
Literature isn't a moral beauty contest. Its power arises from the authority and audacity with which the impersonation is pulled off; the belief it inspires is what counts.
A coquette is one that is never to be persuaded out of the passion she has to please, nor out of a good opinion of her own beauty: time and years she regards as things that only wrinkle and decay other women, forgetting that age is written in the face, and that the same dress which became her when she was young now only makes her look older.
All were happy - plants, birds, insects and children. But grown-up people - adult men and women - never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy - a beauty which inclines the heart to peace, to harmony and to love.
There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief — a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you.
I don't paint women, I paint pictures. . . What I am after above all is expression. If in a portrait I put eyes, a nose, a mouth, there isn't much use; on the contrary it paralyses the imagination of the spectator, and obliges us to see the person in a certain way.
The work of woman is not to lessen the severity or the certainty of the penalty for the violation of the moral law, but to prevent this violation by the removal of the causes which lead to it.
An Indian's dress of deer skins, which is wet a hundred times upon his back, dries soft; and his lodge also, which stands in the rains, and even through the severity of winter, is taken down as soft and as clean as when it was first put up.
Many are the women who can take their clothes off seductively, but women who can charm as they dress?
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