A Quote by Francois de La Rochefoucauld

The greatest part of intimate confidences proceed from a desire either to be pitied or admired. — © Francois de La Rochefoucauld
The greatest part of intimate confidences proceed from a desire either to be pitied or admired.
These are dark radiances. They have no suspicion that they are to be pitied. Certainly they are so. He who does not weep does not see. They are to be admired and pitied, as one would both pity and admire a being at once night and day, without eyes beneath his lashes but with a star on his brow.
I feel a lot of personal responsibility to undo the negative stereotypes. I know that it's not coming from a bad place. It's coming from an ignorant place. I can sort of be an ambassador in a subtle way to say, "This is what I am: a comedian, a show host, a writer." It will still always be part of the conversation and people will want to focus on it because there is a culture that is so embedded that if you have a disability, you're someone to be either admired just for living, or be pitied for having to struggle.
My greatest desire was to be in a sandbox with Kevin Kline or Kenneth Branagh - to be with the people I admired - and I have.
The desire to see and the desire to ratify what one has seen are desires at odds with one another, if only because they proceed from separate places in the imagination.
Desire is poverty. Desire is the greatest impurity of the mind. Desire is the motive force for action. Desire in the mind is the real impurity. Even a spark of desire is a very great evil.
Part of the early Who career was all about knocking people's confidences out.
If a man or woman has something redone it is because he or she can no longer live with that part of their body, it is no longer bearable. Either they get help and find the strength to fight or they proceed with the act.
You are in the same manner surrounded with a small circle of persons... full of desire. They demand of you the benefits of desire... You are therefore properly the king of desire. ...equal in this to the greatest kings of the earth... It is desire that constitutes their power; that is, the possession of things that men covet.
'Beale Street' is such an intimate story that I think it requires intimate connections between the artists that are a part of it.
My father and I were never intimate in the sense of my coming to him with confidences or seeking advice. Our relationship was rather that of host and guest. Perhaps host and guest is really the happiest relation for father and son.
Most of us yearn for really intimate, healthy, in-person relationships. People have a deep desire to be understood, to be told that it's OK, that you're not isolated and broken, that this is part of the human challenge, and that there is hope. The capacity for online interactions to do that is powerful.
Those who desire to remain intoxicated by Reality do not require artificial intoxicants. Indulging in false things will only increase falsity, for every direction is indeed infinite. Those who desire the truly genuine Thing proceed of themselves with great intensity so as to progress in their sadhana.
The fate of our times is characterized by rationalization and intellectualization and, above all, by the 'disenchantment of the world.' Precisely the ultimate and most sublime values have retreated from public life either into the transcendental realm of mystic life or into the brotherliness of direct and personal human relations. It is not accidental that our greatest art is intimate and not monumental.
One of the most powerful of all our passions is the desire to be admired and respected.
Spiritual seeking means knowing this negative part: that desiring is the root cause of frustration. To desire is to create, of one`s own accord, a shell. Desiring is the world. To be worldly is to desire and to go on desiring, never becoming aware that each desire comes to nothing but frustration. Once you become aware of this, then you do not desire, or your only desire is to know what is.
A foreigner is an individual who is considered either comic or sinister. When the victim of a disaster - preferably natural but sometimes political -the foreigner may also be pitied from a distance for a short period of time.
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