A Quote by Francois de La Rochefoucauld

Perhaps being old is having lighted rooms inside your head, and people in them, acting. People you know, yet can't quite name. — © Francois de La Rochefoucauld
Perhaps being old is having lighted rooms inside your head, and people in them, acting. People you know, yet can't quite name.
Sometimes... sometimes I think the Asylum is a head. We're inside a huge head that dreams us all into being. Perhaps it's your head, Batman. Arkham is a looking glass... and we are you.
This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle. And you can't go up from down below as well, 'cause I've got, like, rock solid gelled hair. And so, like, it was odd. I don't know, sometimes I feel like my head is being, like, turned inside out. Like that episode of Ren & Stimpy when he's inside his own belly button. I don't know.
I like going from one lighted room to another, such is my brain to me; lighted rooms.
People aren't suckers. Some are, perhaps. But most people inside know when we're being lied to.
..I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.) I should have loved a thunderbird instead; At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)
The exhilaration was hard to explain. It was a lonely feeling — a somehow melancholy feeling. He was outside; he passed on the wings of the wind, and none of the people beyond the brightly lighted squares of their windows saw him. They were inside, inside where there was light and warmth. They didn't know he had passed them; only he knew. It was a secret thing.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.)
What is more important than the name is that people know that I really like acting, I enjoy it and I want people to know that I am serious. The name thing: I will always be L.L. Cool J.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
People are better inside in your head. When you're longing for them, they're perfect.
The worst of having so much tact was that you never quite knew whether other people were acting naturally or being tactful too. [The human element]
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
I think there's a certain poetry to having your body reflect what you feel inside of you. Perhaps you have a feeling that's so pure, or overwhelming inside of you that your body disfigures to it - contortions match your confusion.
You know I've had people come up and ask me to sign their guns. Sign my name on gun handles and holsters and stuff. I've done it once or twice for law enforcement officials, but when people do that -- and there have been quite a few of them lately -- I always tell them no. I don't want to do that. I don't want my name on that and I hope you use this gun, whatever its purpose is, I hope it's used wisely.
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