A Quote by Francois Mitterrand

Behind each great man, there's a Richard Delisle. — © Francois Mitterrand
Behind each great man, there's a Richard Delisle.
Wherever you find a great man, you will find a great mother or a great wife standing behind him -- or so they used to say. It would be interesting to know how many great women have had great fathers and husbands behind them.
I love creating that community and writing about that place, because I think, in some ways, Bois Sauvage is like the DeLisle of my past; it's like the DeLisle of the '80s that I can never return to. So in some ways, when I write about Bois Sauvage, I'm writing about a home that I've lost.
Great groups give the lie to the remarkably persistent but incorrect notion that successful organizations are the lengthened shadow of a great woman or man. However, each great group has a strong leader. In fact, great groups and great leaders create each other.
Richard is a very sexy man. He's got that sort of jungle essence that one can sense." (on Richard Burton)
When sex disappears the tremendous energy of love is left behind. Each ugly thing in your mind, disappearing, leaves a great treasure behind.
Behind Chipotle is not a corporation; behind Chipotle is a man that is one of the great cooks, that created a great concept.
He who starts behind in the great race of life must forever remain behind or run faster than the man in front.
Behind every great man there stands a great woman. Behind every great woman is a great behind.
What do we leave behind when we cross each frontier? Each moment seems split in two: melancholy for what was left behind and the excitement of entering a new land.
You look at Richard Pryor and Robert Klein and George Carlin and Richard Lewis - those guys were so smart, they were the thinking-man stand-ups.
For pilots sometimes see behind the curtain, behind the veil of gossamer velvet, and find the truth behind man, the force behind a universe.
I must confess that the original 'Pretty Woman' was terrific and a hit, but I always felt that creatively I didn't do justice to Richard Gere's character. So in the musical, we have some great new moments for Richard's character.
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
They say behind every great man is a great woman, but I think it works the other way round as well.
I have characterized Nixon as a loner, a cold man with great self-confidence and a one-track mind centered on the advancement of Richard Nixon.
Behind every great man in prison is another great man in prison.
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