A Quote by Francois Nars

I think Edie Sedgwick comes back, too. Every five or six years, there is always something about Edie, because she was so modern and stylish and elegant and hippie-ish, all at the same time. So I think that people will always love her.
Edie Sedgwick had a cool style; she pushed the envelope for the time.
I think Stella Tennant is amazing. And then I really loved all those '60s society models, like Edie Sedgwick.
I think Stella Tennant is amazing. And then I really loved all those 60s society models, like Edie Sedgwick.
My two style icons are Edie Sedgwick and Brigitte Bardot.
When I walked in to read with Edie Falco, it was nice, because I auditioned in New York, and it was very quick. You walk in, there's Edie, the producers, the director, and a camera. I read three scenes, and it was done.
I love watching Edie Falco; she's so layered, and her work is so great.
I've been making a diary of the daft things people have said during London Fashion Week, and it does wear a little bit thin, everyone comparing my name to Edie Sedgwick.
I love Tike Alicar, The Anarchist. But I love Edie Sawyer, U-Go Girl, too. I was a little in love with her.
My grandma Ricky - that's where I got classic look from. She was the most stylish person ever. She had her own clothing store and even her furniture was stylish. I got my "Flashy, but classy" motto from her, too. Whenever she walked in the room, she was always the most stylish person in the room.
It is a splendid thing to think that the woman you really love will never grow old to you. Through the wrinkles of time, through the mask of years, if you really love her, you will always see the face you love and won. And a woman who really loves a man does not see that he grows old; he is not decrepit to her; she always sees the same gallant gentleman who won her hand and heart.
My style is Edie Sedgwick meets Grace Jones, or Audrey Hepburn meets Salt 'n' Pepa. Strong and feisty but still classic.
The album is always definitely the goal, because I think that albums are like captures and bookmarks. After five or six of them, you can always go back and be like, 'Well, what was his first?'... I think an album really gives you a chance to make people feel something.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
I did have a constituent four or five years ago - she never liked me. So, she called, I returned her call, and she was complaining about something, and she said: 'And why do you always use green? I think it's narcissistic.' And I said, 'Well, ma'am, everyone has to have a gimmick, and that's my gimmick.'
I have roles in plays that I hope that I'll be able to do one day. I might be doing them at, like, the East Wilton Playhouse in wherever. But I think that Edie Falco... to get something even resembling her type of roles, that would be amazing.
If I go way back to Loretta Lynn, I always cite her as being able to capture what I think is every woman's story... she very openly used her art as an expression of what she was going through in her life. So that authenticity is something I admire.
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