A Quote by Francois Nars

I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries. — © Francois Nars
I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
I would love to do something with many artists, you know: Fantasia, Cardi B, Lil Wayne, J.Lo, Alicia Keys, Jennifer Hudson. There's so many of them! All of them are iconic in their own way and to collaborate with any of those artists of that magnitude would be such an honor for me because I grew up listening to them and I love their music.
I guess the one-liner kind of comic sounds like a guy who can talk and talk and whatever the subject is, he can pull out a one-liner, but I couldn't do that. I didn't like the association. I mean, I love Steven Wright, but so many people started saying "Steven Wright" to me, and I would get mad, because I never wanted to be thought of as copying anybody.
I would really love to collaborate with Gwen Stefani and M.I.A.; artists that kind of make sense with me vocally. And in terms of style, I'm a very visual artist. I really love Pharell. I love people that really care about drums, and I like beat-heavy.
I'd love to collaborate with Frank Ocean. He's one of my favorite artists of all time.
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
I would always cast Meryl Streep for everything. I would do with something inspired by the work of Guy Bourdin, my favorite photographer.
There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.
We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
I was spoiled growing up in the 1970s because magazines were publishing the photographs of Helmut Newton and Guy Bourdin without compromise. You really felt that sense of freedom through their images.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
Now what I like is that other artists know my work and are interested in me or want to collaborate.
I own more pairs of Calvin Klein underwear than I can count. At any given time, I probably have 50 to 60 pairs on deck. I travel with an entire suitcase of underwear and t-shirts, and they're all Calvin Klein.
There's no money in theater, but artistically speaking, it's so much more fulfilling! But, of course, there are still so many people left in film that I would love to work with as well - like Guy Ritchie! I'm a big fan of his work. He's at the top of my list of people I would love to collaborate with.
Artists are free to push boundaries to make art. But when pushing boundaries is their only aim, the result is usually bad art.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
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