A Quote by Francois Nars

Working on fashion shows, you work with the designer and try to read his brain - what was in the creative process, what images did he have in his head? — © Francois Nars
Working on fashion shows, you work with the designer and try to read his brain - what was in the creative process, what images did he have in his head?
I’ve spent some time working with a non-Italian designer, I’ve been helping him organize fashion shows, the advertising, also helping with the creative part. But the great part about this work is that I am no one!
I've spent some time working with a non-Italian designer; I've been helping him organize fashion shows, the advertising, also helping with the creative part. But the great part about this work is that I am no one!
I have read that, when you are writing or working on something creative, and your attention wanders, your brain is processing and working on what you have just done. But I find it hard to believe that my brain is really taking five hours to fully process the seven minutes I have managed to spend focused on one thing.
My favorite designer is Christian Lacroix, not just because his clothes are amazing and I love them, but because he's so nice. When I did his fashion show, he was the first one to arrive there and he helped everyone
My favorite designer is Christian Lacroix, not just because his clothes are amazing and I love them, but because he's so nice. When I did his fashion show, he was the first one to arrive there and he helped everyone.
Qhuinn's eyes shifted away from his buddy--and just happened to measure the distance down to the stone patio below. Hmm . . . doing a swan dive onto all that slate might just get the images of those two out of his head... of course, it would also turn his brain into scrambled eggs, but really, was that such a bad thing?
Anytime you adapt work of somebody who you respect, as much as I respect him, it's an enormous responsibility. In honoring that responsibility, what we try to do is to continually use his work, and the writing that he did about his life and his work, as our guide. That starts with his intent for what he was trying to express when he wrote it, and it extends to his intent overall.
It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life.
[Fritz Haber's] greatness lies in his scientific ideas and in the depth of his searching. The thought, the plan, and the process are more important to him than the completion. The creative process gives him more pleasure than the yield, the finished piece. Success is immaterial. "Doing it was wonderful." His work is nearly always uneconomical, with the wastefulness of the rich.
I'm a big Gucci fan. So, just working with Gucci and seeing his creative process. It was also really cool to work with Scott Storch. He's a legend.
The worlds of art and fashion have always been very intertwined at Dior. Francois-Xavier Lalanne and his wife, Claude, for instance, did windows for Monsieur Dior. Dior himself was a gallerist before becoming the revolutionary fashion designer we all know.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
Twentieth-century man needs to be reminded at times that work is not the result of the Fall. Man was made to work, because the God who made him was a 'working God.' Man was made to be creative, with his mind and his hands. Work is part of the dignity of his existence.
Well, it's not all the same, but there are a lot of parallels. I'm not sure how to answer [on psychology background], but I think when I was studying psychology I had a professor and a friend who would talk about "process" all the time. Your process, his process, the group's process. There's some carryover from that discussion to my creative work.
The centre of his world was the south where he was born in slavery some 79 years ago and where he did his work as a creative scientist.
If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.
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