A Quote by Francois Rabelais
If you say to me: "Master, it would seem that you weren't too terribly wise to have written these bits of nonsense and pleasant mockeries," I respond that you are hardly more so in finding amusement in reading them.
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I’m just thinking that would be pleasant. To be reading, say, out of a book, and you to come up and touch me – my neck, say, or my knee – and I’d carry on reading, I might let a smile, no more, wouldn’t lose my place on the page. It would be pleasant to come to that. We’d come so close, do you see, that I wouldn’t be surprised out of myself every time you touched.
You have not known what you are - you have slumber'd upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return? The mockeries are not you; Underneath them, and within them, I see you lurk.
History gets thicker as it approaches recent times: more people, more events, and more books written about them. More evidence is preserved, often, one is tempted to say, too much. Decay and destruction have hardly begun their beneficent work.
I would prefer you not to say, "That was the most terribly written piece I've ever read." That would hurt me. But you don't think I'm the best person in the world? Well, alright.
When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
I have to say that it's a weird feeling to have to respond to a Christian leader of an anti-Muslims organisation - it would be like having to respond to a Muslim leader of an anti-Jewish organisation about Judaism so the whole thing is kind of weird. Let me just say it's kind of convenient to simply pick and choose whatever violent bits and pieces one finds in the Koran and ignore the equally important versus that talk about compassion and peace.
No matter what I've written, someone somewhere has come up to me and said, "Me too." The truth can be offensive, but it's always nourishing, in a way. You recognize it. You can feel it. And even if [readers] think, "My god, I would never get in those situations," within those ridiculous circumstances that I have created for myself, they know the way I respond is probably what they would do too.
The most insane things can become normal if you have them around you long enough. A mind can’t seem to hold anything too crazy for too long without finding a way to make it seem normal.
The marvellous instinct with which women are usually credited seems too often to desert them on the only occasions when it would be of any real use. One would say it was there for trivialities only, since in a crisis they are usually dense, fatally doing the wrong thing. It is hardly too much to say that most domestic tragedies are caused by the feminine intuition of men and the want of it in women.
The things that the novel does not say are necessarily more numerous than those it does say and only a special halo around what is written can give the illusion that you are reading also what is not written.
Nor need it cause surprise that things disagreeable to the good man should seem pleasant to some men; for mankind is liable to many corruptions and diseases, and the things in question are not really pleasant, but only pleasant to these particular persons, who are in a condition to think them so.
I haven't done fillers or Botox for ages. There comes a point where you have to match bits of you with the other bits; otherwise, you get a terribly random situation.
One of the great things about humor is, you can slip things past people with humor, you can use it as a sweetener. So you can actually tell them things, give them messages, get terribly, terribly serious and terribly, terribly dark, and because there are jokes in there, they'll go along with you, and they'll travel a lot further along with you than they would otherwise.
I graduated from my Master of Fine Arts program for writing for children and young adults at Vermont College of Fine Arts. Of course, for a master's program, you have to do a ton of reading. I would get up, usually around 5:30, to do my reading; otherwise, I would fall behind.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
There was a time when I could walk down the street, Hollywood Boulevard or Beverly Drive, and somebody would come up to you and they would say, "Excuse me," and you'd barely hear them, and you'd turn around and you'd say, "Yeah, how you doing?" and they'd say, "I'm really sorry to bother you, but my aunt is a big fan of yours, and would you mind terribly if you'd just sign this paper," or whatever it is, and you're happy to do that, and the people are pretty nice about it.
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