A Quote by Francois Robichon de La Gueriniere
A light hand is one which never feels the contact of the bit with the bars.
Related Quotes
Most British tapas bars aren't bars at all. They're restaurants that specialise in tapas. Nothing wrong with that, but it's a bit different from the Spanish way of doing things, in which tapas is an adjunct to the drinks and the general vibe.
On one hand, we know that everything happens for a reason, and there are no mistakes or coincidences. On the other hand, we learn that we can never give up, knowing that with the right tools and energy, we can reverse any decree or karma. So, which is it? Let the Light decide, or never give up? The answer is: both.
Activism is a very admirable way to create change, but it has to go hand in hand with personal contact with the people with whom we have opposing points of view; without that, there will never be any movement.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
We went from candy bars, to handle bars, to hangin' in bars, to being behind bars
'Spring One' probably has only four bars of Vivaldi in it, but it feels like it's all Vivaldi. It's odd. It's a bit like walking around a sculpture, you just sort of see it from a different angle.
A firm hand is one which holds the horse in full contact.
In 1996 I was working on a play in New Orleans, and they needed a drag queen. I offered to play the role. That led to guest appearances at bars, which led to regular appearances at bars, which led to hosting. I eventually started working six days a week in bars before moving to N.Y.C.
Let's say you dissolve and become infinite light. There is this sense of being light even though the mind is not thinking it, one feels it, which indicates that one is still there - at least half of one.
Marketing is every bit of contact your company has with anyone in the outside world. Every bit of contact. That means a lot of marketing opportunities. It does not mean investing a lot of money.
A bit of body contact never hurt anyone.
And if you love the light, then you come to the light to be proved, and tried whether your works be wrought in God. But that which hates the light, turns from the light, and that shall be condemned by the light forever. And though you may turn from the light, where the unity is, and you may turn from the eternal truth; but from the witness of God in your consciences, (which he hath places in you, which beareth witness for the living God,) you can never fly; that shall pursue you wherever you go.
They dined on mince, and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon.
I'm not a big wine guy. And bars, I never go to bars anymore. It's such a drag, man.
There is a lovable quality about the actual tools. One feels so kindly to the thing that enables the hand to obey the brain. Moreover, one feels a good deal of respect for it; without it the brain and the hand would be helpless.
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