A Quote by Francoise Gilot

I paint the way some people write their autobiography. The paintings, finished or not, are the pages of my journal, and as such they are valid. — © Francoise Gilot
I paint the way some people write their autobiography. The paintings, finished or not, are the pages of my journal, and as such they are valid.
I paint the way some people write an autobiography. The paintings, finished or not, are the pages from my diary.
I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.
That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!
My grandfather started his autobiography before he died; he never finished it. I would like to finish his autobiography because I finished mine.
My paintings are titled after they are finished. I paint from remembered landscapes that I carry with me - and remembered feelings of them, which of course become transformed. I could certainly never mirror nature. I would more like to paint what it leaves with me.
Everybody expresses themselves in different ways. Some people write it down, some people paint it. Some people express it in the way they speak. We just express our feelings through music.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
Sometimes I journal three pages, sometimes I journal thirty pages, but I'm writing all the time, and whatever's happening is happening in real time for me.
If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day.
When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
I have obsessed about my weight in some sort of way all my life. I used to write in my journal what I weighed every day.
I love to paint. It's more of a hobby, but people love the paintings so much that I end up selling whatever I paint.
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