A Quote by Francoise Gilot
You see, for me a painting is a dramatic action in the course of which the reality finds itself split apart. For me, that dramatic action takes precedence over all other considerations. The pure plastic act is only secondary as far as I'm concerned. What counts is the drama of that plastic art, the moment at which the universe comes out of itself and meets its own destruction.
Related Quotes
For me painting is a dramatic action in the course of which reality finds itself split apart
I'll tell you what me scares me is plastic. Plastic bags and plastic bottles and these things. Why does my water have to be in a bloody plastic bottle? The landfill and the ocean. And I don't know, I'm just terrified with the proliferation of plastic.
This plastic doesn't go away by itself, and to just let hundreds of thousands of tons of plastic be out there to be fragmented into these small and dangerous microplastics to me seems like an unacceptable scenario.
When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
It is not sufficient to pray diligently for guidance, but this prayer must be followed by meditation as to the best methods of action and then action itself... because prayers can only be answered through action and if someone's action is wrong, God can use that method of showing the pathway which is right.
Suddenly the intermedia shows are all over town..Theirs remains the most dramatic expression of the contemporary generation. The place where its needs and desperations are most dramatically split open. At the Plastic Inevitable it is All Here and Now and the Future.
In an action film you act in the action. If it's a dramatic film you act in the drama.
A story rises from the springs of creation, from the pure will to be; it tells itself; I takes its own course, finds its own way, its own words; and the writer's job is to be its medium.
When I do an action thing, it speaks louder than the things that I've done that are dramatic and comedy. Actually, if you look at my resume, I have just as much comedic things as dramas, and I have far less action things than all of the other things, but I'm kind of defined as an action person.
The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.
My greatest personal mistake is ever to allow a word or moment that “doesn’t count,” i.e., that I do not refer to my own basic principles. Every word, every action, every moment counts. (This is the pattern on which everybody makes mistakes [or] becomes irrational — not relating their one action or one conviction to another.
The thing about action films is that they are high on drama in terms of action sequences, have songs and other things, but content is secondary.
The universe shows us the life of God, or rather it is in itself the life of God. We behold in it his permanent action, the scene upon which his power is exercised, and in which all his attributes are reflected. God is not out of the universe any more than the universe is out of God. God is the principle, the universe is the consequence, but a necessary consequence, without which the principle would be inert, unfruitful, impossible to conceive.
So do not be concerned with the fruit of your action-just give attention to the action itself. The fruit will come of its own accord.
Most of my stories are ideas in action. In other words, I get a concept, and I let it run away. I find a character to act out the idea. And then the story takes care of itself.
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