A Quote by Francoise Gilot

I really think that if I had met Picasso during peacetime, nothing would have happened. — © Francoise Gilot
I really think that if I had met Picasso during peacetime, nothing would have happened.
If we had never met Picasso, would Cubism have been what it is? I think not. The meeting with Picasso was a circumstance in our lives.
I don't think I would have written a combat novel if I had just had peacetime military training. I think, in fact, I probably would have remained a poet and just written a short story every now and then.
You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.
Bottom line: nothing of note happened when I was a youngster, really. I went to Princeton, which is where I met my wife.
I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art.
Once upon a time there was what there was, and if nothing had happened there would be nothing to tell.
I met my wife, I had no money, I had nothing, and I started my family without really, my career was nowhere, but I had these other businesses, I had these things I was doing to be able to afford a small home.
We always loved to say 'If I'd had a Monday-morning class, I never would have met you'. Or 'If you'd been reading something else, none of this would have happened'. We didn't believe in fate, but we believed in serendipity. We felt very lucky.
I met Picasso when I was a kid. I turned one of his drawings down which would be worth £37 million now. My dad wouldn't talk to me for a fortnight.
I came close to joining Villa early on in my career but nothing happened. I met with them and also with people from Birmingham but nothing materialised.
What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.
His mind worked fast, flying in emergency supplies of common sense, as human minds do, to construct a huge anchor in sanity and prove that what happened hadn't really happened and, if it had happened, hadn't happened much.
I'm not going to talk about Picasso. I have done my duty to those memories. I have had a great career as an artist myself, you know. I'm not here just because I've spent time with Picasso.
I think what happened there was just the budget would be too big to build these sets because nothing really exists here in New York of that period; you have to build it all.
Love happened. She would have never thought that it could happen so rapidly. Love was something you worked at, and she had no doubt their relationship would take a lot of hard work and dedication. But it had simply happened. No explanation. No cataclysmic event or earth-shattering revelation brought on by some external event. It had simply happened.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
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